Album lyrics Bigger Bach Set by Johann Sebastian Bach

Bigger Bach Set

Johann Sebastian Bach

2013 199 songs

1. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

2. Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

3. Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

4. Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

5. Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

6. Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

7. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

8. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

9. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

10. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

11. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

12. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

13. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

14. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

15. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

16. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

17. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta

18. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

19. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

20. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor

21. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe

22. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage

23. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

24. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen

25. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

26. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore

27. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore

28. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

29. Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

30. Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

31. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen

32. Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten

33. Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

34. Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!

35. Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los

36. Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

37. Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da

38. Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen

39. Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen

40. Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

41. Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

42. Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst

43. Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig

44. Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

45. Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig

46. Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

47. Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

48. Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

49. Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

50. Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

51. Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

52. Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir

53. Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

54. Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

55. Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

56. Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

57. Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

58. Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen

59. Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee

60. Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

61. Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

62. Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

63. Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

64. Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

65. Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

66. Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

67. Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

68. Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

69. Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

70. Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

71. Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

72. Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

73. Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

74. Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

75. Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

76. Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

77. Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

78. Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

79. Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

80. Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

81. Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

82. Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

83. Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

84. Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

85. Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

86. Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

87. Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an

88. Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

89. Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

90. Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

91. Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise

92. Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande

93. Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

94. Partita in A Minor for Solo Flute, BWV 1013: i. Allemande

95. Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

96. Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

97. Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

98. Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

99. Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

100. Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

101. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

102. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

103. Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

104. Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

105. Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

106. Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

107. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

108. Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

109. Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

110. Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

111. Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)

112. Italian Concerto, BWV971: i. Allegro

113. Italian Concerto, BWV971: ii. Andante

114. Italian Concerto, BWV971: iii. Presto

115. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

116. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

117. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

118. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

119. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

120. Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione

121. Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin

122. Toccata in C Minor, BWV911

123. French Suite No. 3 in B Minor BWV814: i. Allemande

124. French Suite No. 3 in B Minor BWV814: ii. Courante

125. French Suite No. 3 in B Minor BWV814: iii. Sarabande

126. French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio

127. French Suite No. 3 in B Minor BWV814: v. Gavotte

128. French Suite No. 3 in B Minor BWV814: vi. Gigue

129. French Suite No. 4 in E-flat Major, BWV815: i. Allemande

130. French Suite No. 4 in E-flat Major, BWV815: ii. Courante

131. French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande

132. French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte

133. French Suite No. 4 in E-flat Major, BWV815: v. Air

134. French Suite No. 4 in E-flat Major, BWV815: vi. Menuet

135. French Suite No. 4 in E-flat Major, BWV815: vii. Gigue

136. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

137. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

138. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

139. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

140. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

141. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

142. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

143. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

144. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

145. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

146. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

147. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

148. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

149. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

150. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

151. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

152. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

153. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

154. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

155. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

156. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

157. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

158. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

159. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

160. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

161. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

162. Magnificat in D, BWV243: i. Coro: Magnificat anima mea

163. Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

164. Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

165. Magnificat in D, BWV243: iv. Coro: Omnes generationes

166. Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

167. Magnificat in D, BWV243: vi. Duetto: Et misericordia

168. Magnificat in D, BWV243: vii. Coro: Fecit potentiam

169. Magnificat in D, BWV243: viii. Aria: Deposuit potentes

170. Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

171. Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

172. Magnificat in D, BWV243: xi. Coro: Sicut locutus est

173. Magnificat in D, BWV243: xii. Coro: Gloria Patri

174. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

175. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

176. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

177. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

178. No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

179. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

180. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

181. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

182. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

183. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

184. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

185. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

186. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

187. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

188. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

189. Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

190. Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

191. Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

192. Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

193. Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

194. Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

195. Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

196. Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

197. Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

198. Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

199. Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

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