Album lyrics Bigger Bach Set by Various Artists feat. Johann Sebastian Bach

Bigger Bach Set

Various Artists feat. Johann Sebastian Bach

2013 171 songs

1. Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

2. Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

3. Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

4. Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

5. Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

6. Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

7. Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir

8. Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

9. Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

10. Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

11. Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

12. Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

13. Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

14. Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

15. Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

16. Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

17. Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

18. Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

19. Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

20. Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

21. Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

22. Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

23. Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

24. Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

25. Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

26. Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

27. Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

28. Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

29. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

30. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

31. Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten

32. Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

33. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

34. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

35. Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

36. Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig

37. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

38. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

39. Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

40. Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

41. Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

42. Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen

43. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

44. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

45. Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

46. Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

47. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

48. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

49. Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

50. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

51. Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an

52. Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

53. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

54. Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

55. Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

56. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

57. Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

58. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

59. Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

60. Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!

61. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

62. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

63. Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

64. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

65. Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

66. Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

67. Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

68. Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

69. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

70. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

71. Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los

72. Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

73. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

74. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

75. Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

76. Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig

77. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

78. Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

79. Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

80. Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

81. Magnificat in D, BWV243: i. Coro: Magnificat anima mea

82. Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

83. Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

84. Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

85. Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

86. Magnificat in D, BWV243: iv. Coro: Omnes generationes

87. Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst

88. Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen

89. Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

90. Magnificat in D, BWV243: vi. Duetto: Et misericordia

91. Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

92. Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

93. Magnificat in D, BWV243: vii. Coro: Fecit potentiam

94. Magnificat in D, BWV243: viii. Aria: Deposuit potentes

95. Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee

96. Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

97. Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

98. Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

99. Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da

100. Magnificat in D, BWV243: xi. Coro: Sicut locutus est

101. Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

102. Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

103. Magnificat in D, BWV243: xii. Coro: Gloria Patri

104. Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen

105. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

106. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

107. Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

108. Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder

109. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

110. Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

111. Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

112. Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

113. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

114. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

115. Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

116. Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

117. Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

118. No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

119. Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

120. Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

121. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

122. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

123. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

124. Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

125. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

126. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

127. Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

128. Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

129. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

130. Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

131. Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

132. Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

133. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

134. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

135. Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

136. Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

137. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

138. Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

139. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

140. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

141. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

142. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

143. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

144. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

145. Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

146. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

147. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

148. Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

149. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

150. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

151. Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

152. Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

153. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen

154. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

155. Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

156. Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

157. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

158. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen

159. Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

160. Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

161. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe

162. Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage

163. Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

164. Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

165. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor

166. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore

167. Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

168. Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

169. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore

170. Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta

171. Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

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