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The Turn of the Screw, Op. 54: Interlude: Variation VI - Scene 7: The Lake
Поворот винта, соч. 54: Интерлюдия: Вариация VI - Сцена 7: Озеро
Oh,
rivers
and
seas
and
lakes
О,
реки
и
моря
и
озёра
Is
this
lake
in
my
book?
Это
озеро
есть
в
моей
книге?
It's
far
too
small
Оно
слишком
мало
It's
a
great
white
sea
Это
белое
море
Then
you
must
name
it
Тогда
ты
должна
назвать
его
What
seas
do
you
know?
Какие
моря
ты
знаешь?
Atlantic
and
Aegean
Атлантическое
и
Эгейское
Baltic,
Bosporus,
and
the
Caspian
Балтийское,
Босфор
и
Каспийское
Black
and
Red
and
White
and
Yellow
Чёрное
и
Красное
и
Белое
и
Жёлтое
Mainly
Mediterranean
В
основном
Средиземное
And,
and,
and...
И,
и,
и...
The
Dead
Sea
Мёртвое
море
Is
the
Dead
Sea
Это
Мёртвое
море
How
can
a
sea
be
dead?
Как
море
может
быть
мёртвым?
They
call
it
dead
because
nothing
can
live
in
it
Его
называют
мёртвым,
потому
что
в
нём
ничто
не
может
жить
Then
I
wouldn't
go
in
it,
and
neither
would
Myles
Тогда
я
бы
не
пошла
в
него,
и
Майлз
тоже
не
пошёл
бы
Go
to
sleep,
go
to
sleep,
my
darling
dear
Спи,
спи,
моя
дорогая
Go
to
sleep,
go
to
sleep
Спи,
спи
Sing
to
her,
dear
Спой
ей,
милая
Dolly
must
sleep
wherever
you
choose
Кукла
должна
спать,
где
ты
выберешь
Dolly
must
sleep
wherever
I
choose
Кукла
должна
спать,
где
я
выберу
Today,
by
the
name
Salt
Sea
Сегодня,
под
именем
Солёное
море
Tomorrow,
her
waxen
lids
may
close
on
the
plains
of
Muscovy
Завтра
её
восковые
веки
сомкнутся
на
равнинах
Московии
And
now,
like
a
queen
of
the
east
she
А
теперь,
словно
царица
востока,
она
Lies,
with
a
dog
to
guard
her
bed
Лежит,
с
псом,
что
стережёт
её
ложе
But
next,
when
her
short-lived
daylight
Но
после,
когда
её
короткий
дневной
свет
Dies,
she's
a
shepherdess
instead
Померкнет,
она
станет
пастушкой
But
sleep,
dear
Dolly,
you'll
sleep
Но
спи,
дорогая
Кукла,
ты
уснёшь
And
when
you're
lost
in
a
charming
dream
И
когда
ты
заблудишься
в
прелестном
сне
The
sea
may
change
to
callous
again
Море
может
снова
стать
суровым
But
nothing
shall
stay
the
same
Но
ничто
не
останется
прежним
That's
right,
my
darling
Вот
так,
моя
дорогая
How
good
you
are
Как
ты
хороша
Flora,
alarm!
Флора,
тревога!
We
must
go
now
Мы
должны
идти
сейчас
Go
and
find
Myles
Иди
и
найди
Майлза
Go
to
him,
go
to
him!
Иди
к
нему,
иди
к
нему!
Miss
Chaser!
Мисс
Джессел!
It
was
Miss
Chaser!
Это
была
мисс
Джессел!
She
returns
to,
she
to,
she
to...
Она
вернулась
к,
она
к,
она
к...
And
Flora
saw,
I
know
she
saw,
and
said
nothing,
said
nothing!
И
Флора
видела,
я
знаю,
она
видела,
и
ничего
не
сказала,
ничего
не
сказала!
They
are
lost,
they
are
lost,
lost,
lost!
Они
потеряны,
они
потеряны,
потеряны,
потеряны!
I'll
neither
save
nor
shield
them
Я
не
спасу
и
не
защищу
их
I
give
nothing
from
them
Я
ничего
им
не
дам
Oh,
I
am
useless,
useless!
О,
я
бесполезна,
бесполезна!
What
can
I
do?
Что
я
могу
сделать?
It
is
far
worse
than
I
dreamed
Это
гораздо
хуже,
чем
я
представляла
They
are
lost,
lost,
lost
Они
потеряны,
потеряны,
потеряны
Lost,
lost,
lost
Потеряны,
потеряны,
потеряны
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Writer(s): Benjamin Britten, Myfanwy Piper, Ludwig Landgraf
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32
The Turn of the Screw, Op. 54: Interlude: Variation VI - Scene 7: The Lake
33
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34
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35
The Turn of the Screw, Op. 54: Theme - Scene 1: The Journey
36
The Turn of the Screw, Op. 54: Interlude: Variation III - Scene 4: The Tower
37
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38
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39
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40
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41
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42
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47
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48
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49
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51
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52
The Turn of the Screw, Op. 54: Interlude: Variation V - Scene 6: The Lesson
53
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54
The Turn of the Screw, Op. 54: Interlude: Variation XI - Scene 4: The Bedroom
55
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56
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57
The Turn of the Screw, Op. 54: Interlude: Variation XIV - Scene 7: Flora
58
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59
The Rape of Lucretia, Op. 37: 'There Goes a Happy Man!'
60
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61
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62
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64
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65
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66
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67
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69
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70
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The Rape of Lucretia, Op. 37: Rome is now ruled by the Etruscan upstart
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