Lyrics and translation Leonard Bernstein - Mass A Theatre Piece for Singers, Players and Dancers I: V. Meditation No. 1
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The Original Jacket Collection - Carnegie Hall Presents: Bernstein Conducts Bernstein date of release
06-10-2008
1
Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio)
2 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto)
3 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
4 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato)
5 Jeremiah - Symphony No. 1: III. Lamentation
6 I Hate Music! (A Cycle of Five Kid Songs for Soprano): I. Moderato
7 On the Town (Three Dance Episodes): III. Times Square. 1944
8 On the Town (Three Dance Episodes): II. Lonely Town. Pas de Deux
9 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: c) The Epilogue
10 Symphonic Suite from the Film On The Waterfront: A tempo
11 Symphonic Suite from the Film On The Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
12 Symphonic Suite from the Film On The Waterfront: Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
13 Symphonic Suite from the Film On The Waterfront: Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
14 Symphonic Suite from the Film On The Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
15 Symphonic Suite from the Film On The Waterfront: Andante (with dignity) - Presto barbaro Presto barbaro
16 Symphonic Dances (From "West Side Story"): X. Finale (Adagio)
17 Symphonic Dances (From "West Side Story"): VIII. Rumble (Molto allegro)
18 Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" (Allegretto)
19 Symphonic Dances (From "West Side Story"): VI. Meeting Scene (Meno mosso)
20 Symphonic Dances (From "West Side Story"): V. Cha-Cha, "Maria" (Andantino con grazia)
21 Symphonic Dances from "West Side Story": III. Scherzo (Vivace leggiero)
22 Symphonic Dances (From "West Side Story"): I. Prologue - Allegro moderato
23 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: b) The Masque
24 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: c) The Seven Stages (Variations VIII-XIV)
25 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: b) The Seven Ages (Variations I-VII)
26 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): a. The Dirge: Largo
27 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): b. The Masque: Extremely fast
28 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): c. The Epilogue: Adagio; Andante; Con Moto
29 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): c. The Seven Stages: Variations 8- 14
30 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): b. The Seven Ages: Variations 1 - 7
31 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): a. The Prologue: Lento moderato
32 Chichester Psalms for Chorus and Orchestra: III. Psalm 131 (complete) & Psalm 133 (verse 1)
33 Chichester Psalms for Chorus and Orchestra: II. Psalm 23 (complete) & Psalm 2 (verses 1-4)
34 Chichester Psalms for Chorus and Orchestra: I. Psalm 108 (verse 2) & Psalm 100 (complete)
35 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): III. Scherzo. Kaddish 3. Finale
36 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): II. Din-Torah. Kaddish 2
37 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): I. Invocation. Kaddish 1
38 Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop)
39 Fancy Free Ballet: V. Competition Scene
40 Fancy Free Ballet: IV. Pas de deux
41 Fancy Free Ballet: III. Enter Two Girls
42 Fancy Free Ballet: II. Scene at the Bar
43 Fancy Free Ballet: I. Enter Three Sailors
44 Fancy Free Ballet: Variation II (Waltz)
45 Fancy Free Ballet: Variation III (Danzon)
46 Fancy Free Ballet: VII. Finale
47 Jeremiah, Symphony No. 1: II. Profanation
48 Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto
49 Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio
50 Mass A Theatre Piece for Singers, Players and Dancers I: II. First Introit (Rondo): 1. Prefatory Prayers
51 Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi
52 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Easy"
53 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Epiphany
54 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Prayer for the congregation (Chorale: "Almighty Father")
55 Mass A Theatre Piece for Singers, Players and Dancers I: III. Second Introit: 1. In nomine Patris
56 Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "World Without End"
57 Mass A Theatre Piece for Singers, Players and Dancers I: IX. Gospel-Sermon: "God Said"
58 Mass A Theatre Piece for Singers, Players and Dancers I: I. Devotions before Mass: 1. Antiphon: Kyrie eleison
59 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People"
60 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Responsory: Alleluia
61 Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "Thank You"
62 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Hurry"
63 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Thrice-Triple Canon: Dominus vobiscum
64 Mass A Theatre Piece for Singers, Players and Dancers I: XI. Meditation No. 3 (De profundis, part 1)
65 Mass A Theatre Piece for Singers, Players and Dancers I: VII. Meditation No. 2
66 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Gloria in excelsis
67 Mass A Theatre Piece for Singers, Players and Dancers I: 5. Trope: "I Believe in God"
68 Mass A Theatre Piece for Singers, Players and Dancers I: IV. Confession: 1. Confiteor
69 Mass A Theatre Piece for Singers, Players and Dancers I: V. Meditation No. 1
70 Mass A Theatre Piece for Singers, Players and Dancers I: VIII. Epistle: "The Word of the Lord"
71 Mass A Theatre Piece for Singers, Players and Dancers I: X. Credo: 1. Credo in unum Deum
72 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Don't Know"
73 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "Non Credo"
74 Dybbuk (Complete Ballet): Part III: Witnesses of Death
75 Dybbuk (Complete Ballet): Part I: The Community
76 Trouble in Tahiti - An Opera in Seven Scenes: Interlude
77 Trouble in Tahiti - An Opera in Seven Scenes: Scene III / IIIa "I was standing in a garden" / "Then desire took hold of me"
78 Trouble in Tahiti - An Opera in Seven Scenes: Scene II
79 Trouble in Tahiti - An Opera in Seven Scenes: Scene I
80 On the Town: Dance: The Real Coney Island
81 On the Town: Ballet: The Imaginary Coney Island: Subway Rider / Dance of the Great Lover / Pas de Deux
82 On the Town: Night Club Sequence: So Long, Baby / I'm Blue / Ya Got Me
83 On the Town: Dance: Times Square
84 On the Town: I Can Cook, Too
85 On the Town: Carnegie Hall (Do-Do-Re-Do)
86 On the Town: Lonely Town
87 On the Town: Lucky to Be Me
88 Fancy Free - Ballet: I. Enter Three Sailors
89 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace)
90 Fancy Free - Ballet: IV. Pas de Deux
91 Fancy Free - Ballet: VII. Finale
92 Fancy Free - Ballet: Variation 3 (Danzon)
93 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: Part II - a) The Dirge
94 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: Part I - a) The Prologue
95 La Bonne Cuisine (Four Recipes): IV. Civet à Toute Vitesse (Rabbit at Top Speed)
96 La Bonne Cuisine (Four Recipes): III. Taveuk Gueunksis
97 La Bonne Cuisine (Four Recipes): II. Queues de Boeuf (Ox-tails)
98 La Bonne Cuisine (Four Recipes): I. Plum Pudding
99 I Hate Music! (A Cycle of Five Kid Songs for Soprano): II. Allegretto vivace
100 On the Town: Overture to On the Town
101 On the Town: Carried Away
102 On the Town: Some Other Time
103 On the Town: I Understand
104 On the Town: Come Up to My Place
105 On the Town: Opening: New York, New York
106 Dybbuk (Complete Ballet): The Community
107 Dybbuk (Complete Ballet): Exorcism
108 Dybbuk (Complete Ballet): Possession
109 Dybbuk (Complete Ballet): Leah
110 Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations
111 Dybbuk (Complete Ballet): The Children
112 Dybbuk (Complete Ballet): Witnesses of Birth
113 Dybbuk (Complete Ballet): The Fathers
114 Allegro Molto Con Brio from Overture to Candide
115 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Riffs for Everyone
116 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Fugue for the Saxes
117 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Prelude for the Brass
118 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): IV. Agathon (Adagio)
119 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): III. Eryximachus (Presto)
120 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): II. Aristophanes (Allegretto)
121 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): I. Phaedrus: Pausanias (Lento - Allegro)
122 Fancy Free - Ballet: III. Enter Two Girls
123 Fancy Free - Ballet: V. Competition Scene
124 Fancy Free - Ballet: Variation 2 (Waltz)
125 Trouble in Tahiti - An Opera in Seven Scenes: Scene VI
126 Trouble in Tahiti - An Opera in Seven Scenes: Scene V
127 Trouble in Tahiti - An Opera in Seven Scenes: Scene IV
128 Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa
129 Trouble in Tahiti - An Opera in Seven Scenes: Prelude
130 Fancy Free - Ballet: VI. Three Dance Variations: Variation 1 (Galop)
131 Jeremiah - Symphony No. 1: I. Prophecy
132 I Hate Music! (A Cycle of Five Kid Songs for Soprano): V. Moderato, alla marcia - Andante
133 Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa
134 I Hate Music! (A Cycle of Five Kid Songs for Soprano): IV. Con brio
135 I Hate Music! (A Cycle of Five Kid Songs for Soprano): III. Sostenuto - Allegro molto
136 Trouble in Tahiti - An Opera in Seven Scenes: Scene VII
137 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Hymn and Psalm: "A Simple Song"
138 Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto)
139 Symphonic Dances (From "West Side Story"): II. Somewhere (Adagio)
140 Fancy Free - Ballet: II. Scene at the Bar
2 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto)
3 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
4 Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato)
5 Jeremiah - Symphony No. 1: III. Lamentation
6 I Hate Music! (A Cycle of Five Kid Songs for Soprano): I. Moderato
7 On the Town (Three Dance Episodes): III. Times Square. 1944
8 On the Town (Three Dance Episodes): II. Lonely Town. Pas de Deux
9 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: c) The Epilogue
10 Symphonic Suite from the Film On The Waterfront: A tempo
11 Symphonic Suite from the Film On The Waterfront: Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
12 Symphonic Suite from the Film On The Waterfront: Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
13 Symphonic Suite from the Film On The Waterfront: Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
14 Symphonic Suite from the Film On The Waterfront: Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
15 Symphonic Suite from the Film On The Waterfront: Andante (with dignity) - Presto barbaro Presto barbaro
16 Symphonic Dances (From "West Side Story"): X. Finale (Adagio)
17 Symphonic Dances (From "West Side Story"): VIII. Rumble (Molto allegro)
18 Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" (Allegretto)
19 Symphonic Dances (From "West Side Story"): VI. Meeting Scene (Meno mosso)
20 Symphonic Dances (From "West Side Story"): V. Cha-Cha, "Maria" (Andantino con grazia)
21 Symphonic Dances from "West Side Story": III. Scherzo (Vivace leggiero)
22 Symphonic Dances (From "West Side Story"): I. Prologue - Allegro moderato
23 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: b) The Masque
24 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: c) The Seven Stages (Variations VIII-XIV)
25 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: b) The Seven Ages (Variations I-VII)
26 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): a. The Dirge: Largo
27 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): b. The Masque: Extremely fast
28 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): c. The Epilogue: Adagio; Andante; Con Moto
29 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): c. The Seven Stages: Variations 8- 14
30 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): b. The Seven Ages: Variations 1 - 7
31 The Age of Anxiety, Symphony No. 2 for Piano and Orchestra (after W. H. Auden): a. The Prologue: Lento moderato
32 Chichester Psalms for Chorus and Orchestra: III. Psalm 131 (complete) & Psalm 133 (verse 1)
33 Chichester Psalms for Chorus and Orchestra: II. Psalm 23 (complete) & Psalm 2 (verses 1-4)
34 Chichester Psalms for Chorus and Orchestra: I. Psalm 108 (verse 2) & Psalm 100 (complete)
35 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): III. Scherzo. Kaddish 3. Finale
36 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): II. Din-Torah. Kaddish 2
37 Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): I. Invocation. Kaddish 1
38 Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop)
39 Fancy Free Ballet: V. Competition Scene
40 Fancy Free Ballet: IV. Pas de deux
41 Fancy Free Ballet: III. Enter Two Girls
42 Fancy Free Ballet: II. Scene at the Bar
43 Fancy Free Ballet: I. Enter Three Sailors
44 Fancy Free Ballet: Variation II (Waltz)
45 Fancy Free Ballet: Variation III (Danzon)
46 Fancy Free Ballet: VII. Finale
47 Jeremiah, Symphony No. 1: II. Profanation
48 Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto
49 Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio
50 Mass A Theatre Piece for Singers, Players and Dancers I: II. First Introit (Rondo): 1. Prefatory Prayers
51 Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi
52 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Easy"
53 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Epiphany
54 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Prayer for the congregation (Chorale: "Almighty Father")
55 Mass A Theatre Piece for Singers, Players and Dancers I: III. Second Introit: 1. In nomine Patris
56 Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "World Without End"
57 Mass A Theatre Piece for Singers, Players and Dancers I: IX. Gospel-Sermon: "God Said"
58 Mass A Theatre Piece for Singers, Players and Dancers I: I. Devotions before Mass: 1. Antiphon: Kyrie eleison
59 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Half of the People"
60 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Responsory: Alleluia
61 Mass A Theatre Piece for Singers, Players and Dancers I: 4. Trope: "Thank You"
62 Mass A Theatre Piece for Singers, Players and Dancers I: 3. Trope: "Hurry"
63 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Thrice-Triple Canon: Dominus vobiscum
64 Mass A Theatre Piece for Singers, Players and Dancers I: XI. Meditation No. 3 (De profundis, part 1)
65 Mass A Theatre Piece for Singers, Players and Dancers I: VII. Meditation No. 2
66 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Gloria in excelsis
67 Mass A Theatre Piece for Singers, Players and Dancers I: 5. Trope: "I Believe in God"
68 Mass A Theatre Piece for Singers, Players and Dancers I: IV. Confession: 1. Confiteor
69 Mass A Theatre Piece for Singers, Players and Dancers I: V. Meditation No. 1
70 Mass A Theatre Piece for Singers, Players and Dancers I: VIII. Epistle: "The Word of the Lord"
71 Mass A Theatre Piece for Singers, Players and Dancers I: X. Credo: 1. Credo in unum Deum
72 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "I Don't Know"
73 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Trope: "Non Credo"
74 Dybbuk (Complete Ballet): Part III: Witnesses of Death
75 Dybbuk (Complete Ballet): Part I: The Community
76 Trouble in Tahiti - An Opera in Seven Scenes: Interlude
77 Trouble in Tahiti - An Opera in Seven Scenes: Scene III / IIIa "I was standing in a garden" / "Then desire took hold of me"
78 Trouble in Tahiti - An Opera in Seven Scenes: Scene II
79 Trouble in Tahiti - An Opera in Seven Scenes: Scene I
80 On the Town: Dance: The Real Coney Island
81 On the Town: Ballet: The Imaginary Coney Island: Subway Rider / Dance of the Great Lover / Pas de Deux
82 On the Town: Night Club Sequence: So Long, Baby / I'm Blue / Ya Got Me
83 On the Town: Dance: Times Square
84 On the Town: I Can Cook, Too
85 On the Town: Carnegie Hall (Do-Do-Re-Do)
86 On the Town: Lonely Town
87 On the Town: Lucky to Be Me
88 Fancy Free - Ballet: I. Enter Three Sailors
89 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace)
90 Fancy Free - Ballet: IV. Pas de Deux
91 Fancy Free - Ballet: VII. Finale
92 Fancy Free - Ballet: Variation 3 (Danzon)
93 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: Part II - a) The Dirge
94 The Age of Anxiety (Symphony No. 2 for Piano and Orchestra) [after W.H. Auden] [original 1949 version]: Part I - a) The Prologue
95 La Bonne Cuisine (Four Recipes): IV. Civet à Toute Vitesse (Rabbit at Top Speed)
96 La Bonne Cuisine (Four Recipes): III. Taveuk Gueunksis
97 La Bonne Cuisine (Four Recipes): II. Queues de Boeuf (Ox-tails)
98 La Bonne Cuisine (Four Recipes): I. Plum Pudding
99 I Hate Music! (A Cycle of Five Kid Songs for Soprano): II. Allegretto vivace
100 On the Town: Overture to On the Town
101 On the Town: Carried Away
102 On the Town: Some Other Time
103 On the Town: I Understand
104 On the Town: Come Up to My Place
105 On the Town: Opening: New York, New York
106 Dybbuk (Complete Ballet): The Community
107 Dybbuk (Complete Ballet): Exorcism
108 Dybbuk (Complete Ballet): Possession
109 Dybbuk (Complete Ballet): Leah
110 Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations
111 Dybbuk (Complete Ballet): The Children
112 Dybbuk (Complete Ballet): Witnesses of Birth
113 Dybbuk (Complete Ballet): The Fathers
114 Allegro Molto Con Brio from Overture to Candide
115 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Riffs for Everyone
116 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Fugue for the Saxes
117 Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Prelude for the Brass
118 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): IV. Agathon (Adagio)
119 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): III. Eryximachus (Presto)
120 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): II. Aristophanes (Allegretto)
121 Serenade for Solo Violin, Strings, Harp and Percussion after Plato's "Symposium" (1954): I. Phaedrus: Pausanias (Lento - Allegro)
122 Fancy Free - Ballet: III. Enter Two Girls
123 Fancy Free - Ballet: V. Competition Scene
124 Fancy Free - Ballet: Variation 2 (Waltz)
125 Trouble in Tahiti - An Opera in Seven Scenes: Scene VI
126 Trouble in Tahiti - An Opera in Seven Scenes: Scene V
127 Trouble in Tahiti - An Opera in Seven Scenes: Scene IV
128 Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa
129 Trouble in Tahiti - An Opera in Seven Scenes: Prelude
130 Fancy Free - Ballet: VI. Three Dance Variations: Variation 1 (Galop)
131 Jeremiah - Symphony No. 1: I. Prophecy
132 I Hate Music! (A Cycle of Five Kid Songs for Soprano): V. Moderato, alla marcia - Andante
133 Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa
134 I Hate Music! (A Cycle of Five Kid Songs for Soprano): IV. Con brio
135 I Hate Music! (A Cycle of Five Kid Songs for Soprano): III. Sostenuto - Allegro molto
136 Trouble in Tahiti - An Opera in Seven Scenes: Scene VII
137 Mass A Theatre Piece for Singers, Players and Dancers I: 2. Hymn and Psalm: "A Simple Song"
138 Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto)
139 Symphonic Dances (From "West Side Story"): II. Somewhere (Adagio)
140 Fancy Free - Ballet: II. Scene at the Bar
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