2000 Jazz Interview in New York City: XXVI. Touring vs Playing for a Week

1 2000 Jazz Interview in New York City: I. Early Background
2 2000 Jazz Interview in New York City: II. Education
3 2000 Jazz Interview in New York City: III. The Notes Remain the Same
4 2000 Jazz Interview in New York City: IV. Melody
5 2000 Jazz Interview in New York City: V. Jazz Education Today
6 2000 Jazz Interview in New York City: VI. Music Rewards
7 2000 Jazz Interview in New York City: VII. Leading to the First Record
8 2000 Jazz Interview in New York City: VIII. Trio in the 70s
9 2000 Jazz Interview in New York City: IX. Bright Size Life
10 2000 Jazz Interview in New York City: X. Losing Perspective
11 2000 Jazz Interview in New York City: XI. Studio vs Live Work
12 2000 Jazz Interview in New York City: XII. The Recording Studio
13 2000 Jazz Interview in New York City: XIII. Gained Popularity
14 2000 Jazz Interview in New York City: XIV. Musical Integrity
15 2000 Jazz Interview in New York City: XV. Easier to Be a Jazz Guy
16 2000 Jazz Interview in New York City: XVI. Push Boundaries
17 2000 Jazz Interview in New York City: XVII. Personality
18 2000 Jazz Interview in New York City: XVIII. Jaco Pastorius
19 2000 Jazz Interview in New York City: XIX. Lyle Mays
20 2000 Jazz Interview in New York City: XX. Composing with Lyle Mays
21 2000 Jazz Interview in New York City: XXI. Keeping up with New Music
22 2000 Jazz Interview in New York City: XXII. Smooth Jazz
23 2000 Jazz Interview in New York City: XXIII. Energy
24 2000 Jazz Interview in New York City: XXIV. Contemporary Figures in Jazz
25 2000 Jazz Interview in New York City: XXV. People Have to Die
26 2000 Jazz Interview in New York City: XXVI. Touring vs Playing for a Week
27 2000 Jazz Interview in New York City: XXVII. Radio Interviews Are a Standard Tune
28 2000 Jazz Interview in New York City: XXVIII. Future Projects