Paroles d'albums Wagner: Der Ring des Nibelungen – Explorations par Peter Bassett, Sir Georg Solti, Wiener Philharmoniker, Birgit Nilsson, Wolfgang Windgassen, Gerhard Stolze, Hans Hotter, Gottlob Frick, Gustav Neidlinger, Régine Crespin, Set Svanholm, Dietrich Fischer-Dieskau, James King, Oda Balsborg, Wiener Staatsopernchor, Berit Lindholm, Brigitte Fassbaender, Chicago Symphony Orchestra, Claudia Hellmann, Eberhard Wächter, George London, Helen Watts, Helga Dernesch, Hetty Plümacher, Ira Malaniuk, Kirsten Flagstad, Marilyn Tyler, Paul Kuentz, Vera Little, Vera Schlosser, Waldemar Kmentt & Walter Kreppel

Wagner: Der Ring des Nibelungen – Explorations

Peter Bassett, Sir Georg Solti, Wiener Philharmoniker, Birgit Nilsson, Wolfgang Windgassen, Gerhard Stolze, Hans Hotter, Gottlob Frick, Gustav Neidlinger, Régine Crespin, Set Svanholm, Dietrich Fischer-Dieskau, James King, Oda Balsborg, Wiener Staatsopernchor, Berit Lindholm, Brigitte Fassbaender, Chicago Symphony Orchestra, Claudia Hellmann, Eberhard Wächter, George London, Helen Watts, Helga Dernesch, Hetty Plümacher, Ira Malaniuk, Kirsten Flagstad, Marilyn Tyler, Paul Kuentz, Vera Little, Vera Schlosser, Waldemar Kmentt & Walter Kreppel

2013 139 chansons

1. in his adult life, Wagner came to revere J.S. Bach.

2. He kisses her gently on the eyelids.

3. After her initial shock.

4. Heard in isolation, Sieglinde's music.

5. But we are getting ahead.

6. Needless to say, Brünnhilde, on her return.

7. in his earliest drafts for Siegfried's Death.

8. Before the curtain rises.

9. in June 1857 Wagner abandoned.

10. Mime then imagines himself.

11. In myths and folk legends.

12. Mime then tells Siegfried about Fafner.

13. If the music of Act I of The Valkyrie.

14. Mime is now faced with a dilemma.

15. Despite Mime's efforts.

16. It's not easy to convey.

17. Acts I and II of Siegfried.

18. On this second day of the Ring.

19. Loge enjoys one special advantage.

20. But all is not sweetness.

21. A gently undulating theme appears.

22. As a young radical, he argued.

23. Determined to obtain the ring.

24. For the first time, in the moonlight.

25. Hunding retires for the evening.

26. In the first Act of The Valkyrie, a solitary cello.

27. In the Ring's preliminary evening.

28. As with the Ring, the subjects of Greek tragedy.

29. in a great symphonic climax.

30. Hagen hails him from the shore.

31. Hagen seems to be remarkably.

32. Gunther lacks self-confidence.

33. Gutrune's music is heart-rending.

34. One of the marvels.

35. Götterdämmerung ('Twilight of the Gods').

36. From this point until the end of the act.

37. Erda descends again.

38. Hagen cuts the horn in two.

39. In 1871, when Wagner was working.

40. Night has fallen.

41. He had loosened her helm.

42. Before the curtain rises on the final act.

43. Act II has taken the drama.

44. It's difficult to imagine.

45. Baffled by these developments.

46. Brünnhilde concludes bitterly.

47. Siegfried appears suddenly.

48. Brünnhilde can't believe.

49. Sieglinde has left the scene.

50. The Ride of the Valkyries that opens Act III.

51. Sieglinde, in her delirium.

52. Wagner the magician begins casting his spells.

53. The baying of Hunding's dogs is heard.

54. Ungrateful adolescents.

55. When the curtain rises.

56. Siegfried reappears from the cave.

57. Wagner handles the scene.

58. Siegfried muses on what his father.

59. The curtain rises on Alberich.

60. Throughout this marvellous work.

61. The orchestral richness of Siegfried.

62. We are a long way.

63. There is a striking contrast between.

64. The first Act of The Valkyrie is unsurpassed.

65. When Loge first appears.

66. Wotan, like many leaders.

67. Woglinde's melody is a lullaby.

68. The second reason.

69. What happens next is a black comedy.

70. The hut in which Siegmund has sought refuge.

71. Under this spell.

72. With the return of Freia.

73. Then, in one of the most vitriolic passages.

74. The myths and legends of the north.

75. The refrain recurs each time.

76. Wagner's orchestration is nowhere more varied.

77. Wagner puts many chilling passages.

78. Siegfried greets Gunther.

79. Then there is Hagen.

80. Towards the end of Siegfried's Rhine journey.

81. Siegfried disappears from view.

82. To modern sensibilities.

83. The music that Wagner introduces.

84. When Siegfried reaches the summit.

85. The potion does its obliterating work.

86. Then Brünnhilde steps forward.

87. When they have gone.

88. Siegfried has been hunting.

89. When the excitement has died down.

90. There is something Shakespearian.

91. Götterdämmerung, Act II: "Schlugen wir Tiere, was schaffen wir dann?"

92. Die Walküre, Act III: "Den hehrsten Helden der Welt"

93. Götterdämmerung, Act I: "Ein gemächlicher Schlag"

94. Das Rheingold, Scene 4: "Willig glaub' ich dem Wunder"

95. Das Rheingold, Scene 1: Vorspiel - "Weia! Waga! Woge, du Welle!"

96. Siegfried, Act I: "Verfluchtes Licht"

97. Siegfried, Act I: "Mein Vater bist du nicht"

98. Siegfried, Act I: "Nun tobst du wieder wie toll"

99. Siegfried, Act I: "Glühender Schauer schüttelt die Glieder"

100. Siegfried, Act III: "Wie des Blutes Ströme sich zünden"

101. Götterdämmerung / Prologue: "O heilige Götter! Hehre Geschlechter!"

102. Götterdämmerung, Act I: "Blühenden Lebens labendes Blut"

103. Götterdämmerung, Act II: "Muss sein Tod sie betrüben, verhehlt sei ihr die Tat"

104. Die Walküre, Act III: "Der dich zwingt, wird dir's entziehn!"

105. Das Rheingold, Scene 2: "Nacht und Nebel, niemand gleich!"

106. Die Walküre, Act I: "Kühlende Labung gab mir der Quell"

107. Die Walküre, Act I: "Siegmund, den Wälsung, siehst du, Weib!"

108. Götterdämmerung, Act II: "Wo Scharfes mich schneidet, schneide du mich"

109. Siegfried, Act II: "Aber wie sah meine Mutter wohl aus?" (Waldweben)

110. Götterdämmerung, Act I: "Brünnhilde, bring' ich dir!"

111. Die Walküre, Act III: "Hier bin ich, Vater"

112. Das Rheingold, Scene 4: "Bin ich nun frei?"

113. Götterdämmerung, Act III: "In Leid zu dem Wipfel lauscht' ich hinauf"

114. Siegfried, Act II: "Wohin schleichst du"

115. Die Walküre, Act II: "Siegmund! Sieh auf mich!"

116. Siegfried, Act III: "Ewig war ich"

117. Götterdämmerung, Act I: "Was leckt so wütend"

118. Die Walküre, Act I: "Du bist der Lenz"

119. Die Walküre, Act III: "Der Augen leuchtendes Paar"

120. Die Walküre, Act II: "Doch Brünnhilde! Weh der Verbrecherin!"

121. Siegfried, Act III: "Dir Unweisen ruf' ich ins Ohr"

122. Das Rheingold, Zweite Sz. . ene: Was sinnt nun Wotan so wild?

123. The Ring of the Nibelung is the largest.

124. Das Rheingold, Scene 2: "So weit Leben und Luft"

125. That was Loge's account.

126. There are numerous Beethovenian touches.

127. Das Rheingold / Scene 2: Absteig nach Nibelheim (Descent into Nibelheim) - Edit

128. This has its roots…

129. Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Edit

130. It is often said.

131. Götterdämmerung / Prologue: Einleitung

132. Let's consider one example in Das Rheingold.

133. Das Rheingold, Scene 2: "Höhnst du uns? Ha, wie unrecht!"

134. Das Rheingold, Scene 1: Orchesterzwischenspiel

135. Das Rheingold, Scene 2: Valhalla Motive

136. Das Rheingold, Scene 3: Loge's Motive

137. Das Rheingold, Scene 3: Tarnhelm Motive

138. Die Walküre / Dritter Aufzug: Magic Fire Music - Edit

139. Siegfried / Erster Aufzug: Vorspiel - Edit