Death in Venice, Op. 88: "Was I Wrong to Come?" - Neville Williams feat. Steuart Bedford, English Chamber Orchestra, Sir Peter Pears, Iris Saunders, Anne Wilkens, Stephen James Adams, Janice Hooper Roe, Robert Carpenter Turner, Peter Leeming, Penelope McKay, Sheila Brand, Angela Vernon Bates, Anna Vincent, Michael Follis, Kenneth Bowen & Stuart Harlingперевод на русский

Death in Venice, Op. 88: "Was I Wrong to Come?"

Смерть в Венеции, соч. 88: "Зря я приехал?"

Was I wrong to come?

Зря я приехал?

What is there in store for me here?

Что ждёт меня здесь?

But there is the sea, and nearby Serenissima

Но вот же море, и рядом Серениссима,

Though the sky is still gray, the air has a hint of sirocco

Хоть небо всё серо, в воздухе веет сирокко.

Oh, I love the sound of the long low waves, rhythmic upon the sand

О, как люблю я шум долгих пологих волн, ритмично ложащихся на песок,

But here the sound is of another kind

Но здесь звук совсем иного рода.

That was a most interesting excursion

Это была весьма занимательная экскурсия,

Most interesting

Весьма занимательная.

We should have Mario guide us again tomorrow

Нам стоит снова взять Марио гидом завтра,

Mario, Mario

Марио, Марио.

Oh, my children, listen well and thirsty veiled, directly

О, дети мои, жаждущие и сокрытые, слушайте пристально, прямо

Through the islands of the open sea that wide horizons bring

Через острова открытого моря, что широкие дали несут,

The well-mannered murmurs of a lagoon town

Благовоспитанный ропот города лагун.

Pause, I should think, governess with her

Пауза, полагаю, гувернантка с её

Children, a beautiful young creature, the boy

Детьми, прекрасное юное создание, мальчик.

Surely the soul of Greece lies in that bright

Верно, душа Эллады живёт в том сияющем

Perfection, her golden look, her timeless air

Совершенстве, её златом взоре, её вневременном облике.

Mortal child with more than mortal grace

Смертный отрок с благодатью превыше смертной.

How does such beauty come about?

Как рождается красота такая?

What mysterious harmony between the individual and

Какая тайная гармония меж личностью и

The universal law produces such perfection of form?

Всеобщим законом творит столь совершенную форму?

Would the child be less good, less valuable

Был бы дитя хуже, менее ценен

As a human being if he were less beautiful?

Как человек, будь он менее прекрасен?

The fact is that in that disciplined family, beauty dominates

Но факт: в семье той дисциплинированной царит красота,

The severe, plain little girls must be quiet demure

Строгие скромные девочки должны быть тихи,

The elegant boy may show off his grace

Изящный мальчик может щеголять грацией.

No doubt mama, with her fabulous pearls, indulges

Несомненно, мама, с её дивным жемчугом, потворствует

Herself in a pampering, partial love, just as

Себе в изнеживающей, пристрастной любви, равно как

I indulge myself in these novelist speculations

Я потворствую этим романическим умозрениям.

Оцените перевод

Авторы: Benjamin Britten, Myfanwy Piper

Альбом

Britten Conducts Britten: Opera Vol. 2

дата релиза

01-01-1993

1 Death in Venice, Op. 88: "Aou'! Stagando, Aou'"
2 A Midsummer Night's Dream, Op. 64: "This Lanthorn Doth the Horned Moon Present"
3 A Midsummer Night's Dream, Op. 64: Introduction: The Wood
4 Phaedra, Op. 93: "My Time's Too Short, Your Highness"
5 Phaedra, Op. 93: "Oh Gods of Wrath"
6 Phaedra, Op. 93: "In May, in Brilliant Athens"
7 The Rape of Lucretia, Op. 37: "Last Night Tarquinius Ravished Me"
8 The Rape of Lucretia, Op. 37: "Lucretia! Lucretia!"
9 The Rape of Lucretia, Op. 37: "Flowers Bring to Every Year"
10 The Rape of Lucretia, Op. 37: "We'll Leave the Orchids for Lucretia"
11 The Rape of Lucretia, Op. 37: "Lucretia!.What Do You Want?"
12 The Rape of Lucretia, Op. 37: "The Oatmeal Slippers of Sleep"
13 The Rape of Lucretia, Op. 37: "Time Treads Upon the Hands of Women"
14 The Rape of Lucretia, Op. 37: "Their Spinning-wheel Unwinds"
15 The Rape of Lucretia, Op. 37: "Listen! I Heard a Knock"
16 Death in Venice, Op. 88: "Was I Wrong to Come?"
17 The Turn of the Screw, Op. 54: Interlude: Variation II - Scene 3: The Letter
18 The Turn of the Screw, Op. 54: Interlude: Variation XV - Scene 8: Miles
19 A Midsummer Night's Dream, Op. 64: "My Gentle Robin, See'st Thou This Sweet Sight?"
20 The Turn of the Screw, Op. 54: Interlude: Variation XII - Scene 5: Quint
21 A Midsummer Night's Dream, Op. 64: "Come, Now a Roundel and a Fairy Song"
22 A Midsummer Night's Dream, Op. 64: "Be Kind and Courteous to This Gentleman"
23 The Rape of Lucretia, Op. 37: "Interlude: Here in This Scene"
24 The Rape of Lucretia, Op. 37: "Epilogue: Is It All?"
25 The Turn of the Screw, Op.54: Interlude: Variation X - Scene 3: Miss Jessel
26 The Rape of Lucretia, Op. 37: "She Sleeps As a Rose"
27 The Rape of Lucretia, Op. 37: "It Is an Axiom Among Kings"
28 The Turn of the Screw, Op. 54: Interlude: Variation VII - Scene 8: At Night
29 A Midsummer Night's Dream, Op. 64: "Are We All Met?"
30 The Rape of Lucretia, Op. 37: "The Prosperity of the Etruscans"
31 Death in Venice, Op. 88: "Hey There, Hey There, You!"
32 A Midsummer Night's Dream, Op. 64: "Now the Hungry Lion Roars"
33 Death in Venice, Op. 88: Overture: Venice
34 Death in Venice, Op. 88: "My Mind Beats On"
35 Death in Venice, Op. 88: Children's Games: "Adziu, Adziu"
36 A Midsummer Night's Dream, Op. 64: "O Wall, Fur Often Hast Thou Heard My Moans"
37 Death in Venice, Op. 88: "Mysterious Gondola"
38 The Rape of Lucretia, Op. 37: "Who Reaches Heaven First"
39 A Midsummer Night's Dream, Op. 64: "Puppet? Why So?"
40 Death in Venice, Op. 88: "There Is Indeed in Every Artist's Nature"
41 A Midsummer Night's Dream, Op. 64: "How Now My Love?"
42 A Midsummer Night's Dream, Op. 64: "Fair Love, You Faint With Wand'ring in the Wood"
43 The Turn of the Screw, Op. 54: Interlude: Variation XIII - Scene 6: The Piano
44 The Turn of the Screw, Op. 54: Interlude: Variation VIII - Scene 1: Colloquy and So- Lioquy
45 The Rape of Lucretia, Op. 37: "Collatinus Is Politically Astute"
46 The Turn of the Screw, Op. 54: Interlude: Variation VI - Scene 7: The Lake
47 The Rape of Lucretia, Op. 37: "Within This Frail Crucible of Light"
48 The Turn of the Screw, Op. 54: Prologue
49 The Turn of the Screw, Op. 54: Theme - Scene 1: The Journey
50 The Turn of the Screw, Op. 54: Interlude: Variation III - Scene 4: The Tower
51 The Rape of Lucretia, Op. 37: "Maria Was Unmasked At a Masked Ball"
52 Death in Venice, Op. 88: "We Are Delighted to Greet the Signore"
53 The Rape of Lucretia, Op. 37: "My Horse! My Horse! Tarquinius Does Not Wait"
54 A Midsummer Night's Dream, Op. 64: "You Ladies, You Whose Gentle Hearts Do Fear"
55 The Turn of the Screw, Op. 54: Interlude: Variation IV - Scene 5: The Window
56 The Turn of the Screw, Op. 54: Interlude: Variation I - Scene 2: The Welcome
57 The Turn of the Screw, Op. 54: Interlude: Variation IX - Scene 2: The Bells
58 A Midsummer Night's Dream, Op. 64: "Oberon Is Passing Fell and Wrath"
59 A Midsummer Night's Dream, Op. 64: "I See Their Knavery"
60 A Midsummer Night's Dream, Op. 64: "Gentles, Perchange You Wonder At This Show"
61 Death in Venice, Op. 88: "Naturally, Signore, I Understand"
62 A Midsummer Night's Dream, Op. 64: "Iff We Offend, It Is With Our Good Will"
63 The Rape of Lucretia, Op. 37: "You Were Right"
64 The Rape of Lucretia, Op. 37: "Oh! What a Lovely Day!"
65 A Midsummer Night's Dream, Op. 64: "Have You Sent to Bottom's House?"
66 The Rape of Lucretia, Op. 37: "This Dead Hand Lets Fall"
67 The Turn of the Screw, Op. 54: Interlude: Variation V - Scene 6: The Lesson
68 Death in Venice, Op. 88: "Ah, Serenissima!"
69 A Midsummer Night's Dream, Op. 64: "Over Hill, Over Dale"
70 The Turn of the Screw, Op. 54: Interlude: Variation XI - Scene 4: The Bedroom
71 A Midsummer Night's Dream, Op. 64: "How Now, Mad Spirit?"
72 The Turn of the Screw, Op. 54: Interlude: Variation XIV - Scene 7: Flora
73 A Midsummer Night's Dream, Op. 64: "Is All Our Company Her?"
74 The Rape of Lucretia, Op. 37: 'There Goes a Happy Man!'
75 A Midsummer Night's Dream, Op. 64: "Helena! Hermi! Demetrius! Lysander!"
76 A Midsummer Night's Dream, Op. 64: "Welcome Wanderer!"
77 A Midsummer Night's Dream, Op. 64: "What Thou Seest When Thou Dost Wake"
78 A Midsummer Night's Dream, Op. 64: "Up and Down, Up and Down"
79 A Midsummer Night's Dream, Op. 64: "Hail, Mortal, Hail!"
80 A Midsummer Night's Dream, Op. 64: "Sweet Moon, I Thank Thee for Thy Sunny Beams"
81 A Midsummer Night's Dream, Op. 64: "Flower of This Purple Dye"
82 A Midsummer Night's Dream, Op. 64: "Stay, Though Thou Kill Me, Sweet Demetrius"
83 A Midsummer Night's Dream, Op. 64: "In This Same Interlude It Doth Befall"
84 A Midsummer Night's Dream, Op. 64: "Through the Forest Have I Gone"
85 A Midsummer Night's Dream, Op. 64: "I Have a Reas'nable Good Ear in Music"
86 A Midsummer Night's Dream, Op. 64: "O Grim-look'd Night, O Night With Hue So Black"
87 A Midsummer Night's Dream, Op. 64: "You Spotted Snakes With Double Tongue"
88 A Midsummer Night's Dream, Op. 64: "Come, Your Bergomask"
89 A Midsummer Night's Dream, Op. 64: "Be It On Lion, Bear, or Wolf, or Bull"
90 A Midsummer Night's Dream, Op. 64: "Now, Fair Hippolyta"
91 A Midsummer Night's Dream, Op. 64: "Well, Go Thy Way"
92 A Midsummer Night's Dream, Op. 64: "This Is Thy Negligence"
93 A Midsummer Night's Dream, Op. 64: "Asleep, My Love?"
94 The Rape of Lucretia, Op. 37: Tarquinius does not dare
95 The Rape of Lucretia, Op. 37: Here the thirsty evening
96 The Rape of Lucretia, Op. 37: Rome is now ruled by the Etruscan upstart
97 A Midsummer Night's Dream, Op. 64: "On the Ground, Sleep Sound"

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