Текст песни The Interview (From "Ziegfeld Follies") - Judy Garland
We
are
here
to
interview
a
lady
known
to
you
because
of
her
ability
as
the
glamorous,
amorous
lady
they
call...
(Butler)
She's
expecting
you
gentlemen,
won't
you
please
come
in?
(Reporters)
Now
we
don't
mean
Greta
and
we
don't
mean
Bette
or
Loretta
or
the
Song
of
Bernadetta.
We
mean
the
fabulous,
fabulous
lady
they
call...
(Butler)
The
other
gentlemen
are
here.
Please
come
in.
(Reporters)
She's
new;
she's
perfection;
she's
headlines;
she's
hot!
And
in
advance
the
critics
are
all
in
accord
- she's
gonna
win
the
next
academy
award.
All
her
fans
will
be
delighted,
not
to
mention
quite
excited
at
her
personal
appearance
presently.
She's
stupendious,
tremendious,
collosical,
teriffical,
she's
got
it!
But,
definitely!
The
glamorous,
amorous
lady
they
call...
(Judy)
Flibbins,
what
is
all
this?
(Butler)
The
gentlemen
of
the
press,
my
lady.
(Judy)
Darlings!
How
utterly
charming
of
you
to
have
dropped
in
like
this!
How
delightfully
informal
of
you
to
have
dropped
in
like
this!
I
mean,
how
perfectly
marvelous
of
you
to
have...
Well,
you
have
dropped
in,
haven't
you?
And
I...
Well,
gentlemen,
you
have
caught
me
pitifully
unprepared.
And
now,
you
may
rise.
And
now,
you
may
rise...
Up,
up!
Come,
get
up,
get
up,
get
up,
get
up!
Let's
get
on
with
it.
There,
now,
that's
better,
isn't
it?
(Reporters)
Babbling,
murmuring...
(Judy)
Gentlemen
of
the
press...
Members
of
the
fourth
estate...
What
can
I
do
for
you?
Tell
me,
pray
do.
(Reporters)
Oh
glamorous
lady,
oh
amorous
lady,
oh
hamorous
lady,
here's
to
you.
And
humbly
we're
here
to...
Quite
mumbly
we're
here
to...
Hum-drumly
we're
here
to
interview
you.
We're
here
to
pry
into
your
private
life.
We're
here
to
seek
your
every
secret.
We're
here
to
scoop
a
scoop,
obviously.
What
is
your
next
vehicle
to
be?
(Judy)
This
is
much
too
much.
A
sort
of
a
bit
of
a
go
and
touch.
But,
confidentially,
gentlemen
- and
this
is
off
the
record
of
course...
(Reporters)
Of
course!
(Judy)
But,
about
my
next
picture
- I'm
faced
with
a
curious
problem.
Shall
I
always
be
dramatic,
biographically
emphatic?
Should
I
devote
my
life
to
the
legitimate
art?
Or
should
I
do
what
I'd
adore
so,
do
my
acting
with
my
torso,
and
give
all
the
natives
a
start?
Must
the
roles
I
play
be
tragic,
full
of
Oscar-winning
magic,
should
I
drink
the
cup
of
drama
to
its
dregs?
Or
do
you
think
it
is
permissable
to
be
for
once
quite
kissable
and
give
them
a
peep
of
my
leg?
I'd
like
to
be
a
pinup
girl,
a
cheesecake
girl
too.
And
what
is
Ginger
Rogers
that
I
am
not?
And
what
has
Betty
Grable
got
that
I
haven't
got?
Oh,
the
cinema
must
exhibit
me
in
roles
that
so
inhibit
me,
I
feel,
well
I
feel
just
like
a
soldier
out
of
step!
There!
But,
would
the
episode
outlive
me,
would
my
public
quite
forgive
me
if
I
tried
to
show
the
world
I'm
really
hep?
But,
now
you
darlings,
you
adorable
dear,
dear
boys,
I'm
going
to
tell
you
all
about
my
next
picture...
What
is
my
next
picture?
No,
no,
don't
tell
me!
Don't
tell
me!
Shhhh!
(Shuffling
through
pile
of
manuscripts
on
table)
Madame
Crematante!
Madame
Crematante,
gentlemen,
will
be
a
monumental
biographical
tribute
to
a
monumental
biographical
woman
who
toiled,
searched,
starved,
slaved,
suffered,
pioneered
so
that
the
world
- you
and
I
- could
reap
the
benefits
of
her
magnificent
discovery,
the
safety
pin!
The
story
starts
in
a
dark,
dank,
dingy
tenement
in
Amsterdam,
Holland
you
know,
in
the
flat
of
a
poor,
impoverished
family,
but
of
rather
good
antecedants.
Gretchen
Crematante
was
a
very
brave
and
noble
woman
who,
against
the
wishes
of
her
father,
the
Baron,
you
know,
married
this
young
inventor
who
didn't
have
a
sou!
Penniless!
And
there
they
were
in
Amsterdam!
(Reporters)
In
Amsterdam?
(Judy)
Yes,
there
they
were
in
a
dark
and
dingy
tenement
flat
with
no
food
and
no
heat
and
no
money
for
to
pay
the
rent.
But
did
they
care?
(Reporters)
No,
they
don't
care!
(Judy)
Madame
Crematante,
she
don't
care!
'cause
she
seen
the
light
just
the
other
day
since
then
she
been
tryin'
for
to
find
a
way
for
to
bring
to
the
world
a
big
invent,
and
so
she
did!
(Reporters)
And
so
she
did!
(Judy)
Whoop
dee
doodee,
Madame
Crematante
did!
She
toiled
and
strived
and
sweat
and
slaved,
a
stretchin'
her
mind
and
beginnin'
to
rave,
but
the
price
she
paid
was
worth
the
pain,
for
on
a
cold
and
frosty
morn,
the
safety
pin
was
born!
(Judy
and
Reporters)
Halelujah,
etc.
Shout
Halelujah
and
a
big
amen
for
the
lady
with
the
safety
pin.
She
really
rocks
about
and
gives
what
more
do
you
want?
Hallelujah...
![Judy Garland - Judy Garland At the Movies Volume 4](https://pic.Lyrhub.com/img/t/4/l/p/pkblnlpl4t.jpg)
1 Could You Use Me? (From "Girl Crazy")
2 Embraceable You (From "Girl Crazy")
3 But Not for Me (From "Girl Crazy")
4 I Got Rhythm (From Girl Crazy)
5 Tom, Tom, the Pipers Son (From "Presenting Lily Mars")
6 When I Look at You (From "Presenting Lily Mars")
7 Meet Me in St. Louis, Louis (From "Meet Me in St. Louis")
8 The Boy Next Door (From "Meet Me in St. Louis")
9 Under the Bamboo Tree (From "Meet Me In St Louis")
10 Over the Bannister (From "Meet Me in St. Louis")
11 The Trolley Song (From "Meet Me in St. Louis")
12 Boys And Girls Like You And Me (From "Meet Me In St. Louis")
13 Have Yourself a Merry Little Christmas (From "Meet Me In St. Louis")
14 The Interview (From "Ziegfeld Follies")
15 Look for the Silver Lining (From "Till the Clouds Roll By")
16 Who (From "Till the Clouds Roll By")
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