Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

1 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante
2 Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro
3 Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid
4 Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2
5 Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce
6 Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio
7 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro
8 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro
9 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo
10 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro
11 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio
12 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro
13 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio
14 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco
15 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai
16 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante
17 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta
18 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu
19 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke
20 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor
21 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe
22 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage
23 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten
24 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen
25 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen
26 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore
27 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore
28 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen
29 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden
30 Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand
31 Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen
32 Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!
33 Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
34 Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe
35 Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!
36 Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los
37 Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe
38 Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da
39 Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen
40 Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen
41 Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel
42 Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte
43 Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst
44 Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig
45 Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig
46 Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott
47 Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat
48 Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten
49 Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin
50 Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot
51 Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt
52 Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir
53 Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten
54 Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm
55 Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig
56 Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern
57 Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten
58 Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen
59 Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee
60 Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!
61 Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
62 Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
63 Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren
64 Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht
65 Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen
66 Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen
67 Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder
68 Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'
69 Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß
70 Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen
71 Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
72 Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen
73 Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein
74 Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!
75 Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere
76 Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter
77 Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!
78 Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen
79 Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit
80 Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz
81 Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden
82 Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
83 Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege
84 Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen
85 Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden
86 Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war
87 Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an
88 Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan
89 Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
90 Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken
91 Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise
92 Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande
93 Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente
94 Partita in A Minor for Solo Flute, BWV 1013: i. Allemande
95 Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
96 Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen
97 Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen
98 Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend
99 Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano
100 Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro
101 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto
102 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro
103 Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace
104 Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]
105 Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro
106 Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz
107 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro
108 Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto
109 Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro
110 Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)
111 Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)
112 Italian Concerto, BWV971: i. Allegro
113 Italian Concerto, BWV971: ii. Andante
114 Italian Concerto, BWV971: iii. Presto
115 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)
116 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)
117 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)
118 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)
119 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione
120 Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione
121 Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin
122 Toccata in C Minor, BWV911
123 French Suite No. 3 in B Minor BWV814: i. Allemande
124 French Suite No. 3 in B Minor BWV814: ii. Courante
125 French Suite No. 3 in B Minor BWV814: iii. Sarabande
126 French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio
127 French Suite No. 3 in B Minor BWV814: v. Gavotte
128 French Suite No. 3 in B Minor BWV814: vi. Gigue
129 French Suite No. 4 in E-flat Major, BWV815: i. Allemande
130 French Suite No. 4 in E-flat Major, BWV815: ii. Courante
131 French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande
132 French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte
133 French Suite No. 4 in E-flat Major, BWV815: v. Air
134 French Suite No. 4 in E-flat Major, BWV815: vi. Menuet
135 French Suite No. 4 in E-flat Major, BWV815: vii. Gigue
136 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme
137 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt
138 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil
139 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')
140 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir
141 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!
142 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen
143 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden
144 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt
145 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn
146 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg
147 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm
148 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest
149 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl
150 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein
151 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt
152 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor
153 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt
154 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht
155 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr
156 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir
157 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib
158 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken
159 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren
160 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz
161 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich
162 Magnificat in D, BWV243: i. Coro: Magnificat anima mea
163 Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus
164 Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem
165 Magnificat in D, BWV243: iv. Coro: Omnes generationes
166 Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna
167 Magnificat in D, BWV243: vi. Duetto: Et misericordia
168 Magnificat in D, BWV243: vii. Coro: Fecit potentiam
169 Magnificat in D, BWV243: viii. Aria: Deposuit potentes
170 Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis
171 Magnificat in D, BWV243: x. Terzetto: Suscepit Israel
172 Magnificat in D, BWV243: xi. Coro: Sicut locutus est
173 Magnificat in D, BWV243: xii. Coro: Gloria Patri
174 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio
175 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro
176 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro
177 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio
178 No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto
179 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro
180 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto
181 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro
182 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano
183 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio
184 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace
185 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro
186 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo
187 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio
188 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro
189 Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen
190 Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte
191 Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen
192 Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester
193 Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest
194 Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien
195 Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath
196 Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete
197 Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du
198 Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu
199 Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer