Let's consider one example in Das Rheingold.

1 in his adult life, Wagner came to revere J.S. Bach.
2 He kisses her gently on the eyelids.
3 After her initial shock.
4 Heard in isolation, Sieglinde's music.
5 But we are getting ahead.
6 Needless to say, Brünnhilde, on her return.
7 in his earliest drafts for Siegfried's Death.
8 Before the curtain rises.
9 in June 1857 Wagner abandoned.
10 Mime then imagines himself.
11 In myths and folk legends.
12 Mime then tells Siegfried about Fafner.
13 If the music of Act I of The Valkyrie.
14 Mime is now faced with a dilemma.
15 Despite Mime's efforts.
16 It's not easy to convey.
17 Acts I and II of Siegfried.
18 On this second day of the Ring.
19 Loge enjoys one special advantage.
20 But all is not sweetness.
21 A gently undulating theme appears.
22 As a young radical, he argued.
23 Determined to obtain the ring.
24 For the first time, in the moonlight.
25 Hunding retires for the evening.
26 In the first Act of The Valkyrie, a solitary cello.
27 In the Ring's preliminary evening.
28 As with the Ring, the subjects of Greek tragedy.
29 in a great symphonic climax.
30 Hagen hails him from the shore.
31 Hagen seems to be remarkably.
32 Gunther lacks self-confidence.
33 Gutrune's music is heart-rending.
34 One of the marvels.
35 Götterdämmerung ('Twilight of the Gods').
36 From this point until the end of the act.
37 Erda descends again.
38 Hagen cuts the horn in two.
39 Woglinde's melody is a lullaby.
40 The second reason.
41 What happens next is a black comedy.
42 The hut in which Siegmund has sought refuge.
43 Under this spell.
44 With the return of Freia.
45 Then, in one of the most vitriolic passages.
46 The myths and legends of the north.
47 The refrain recurs each time.
48 Wagner's orchestration is nowhere more varied.
49 Wagner puts many chilling passages.
50 Siegfried greets Gunther.
51 Then there is Hagen.
52 Towards the end of Siegfried's Rhine journey.
53 Siegfried disappears from view.
54 To modern sensibilities.
55 The music that Wagner introduces.
56 When Siegfried reaches the summit.
57 The potion does its obliterating work.
58 Then Brünnhilde steps forward.
59 When they have gone.
60 Siegfried has been hunting.
61 When the excitement has died down.
62 There is something Shakespearian.
63 Götterdämmerung, Act II: "Schlugen wir Tiere, was schaffen wir dann?"
64 Die Walküre, Act III: "Den hehrsten Helden der Welt"
65 Götterdämmerung, Act I: "Ein gemächlicher Schlag"
66 Das Rheingold, Scene 1: Vorspiel - "Weia! Waga! Woge, du Welle!"
67 Siegfried, Act I: "Glühender Schauer schüttelt die Glieder"
68 Siegfried, Act III: "Wie des Blutes Ströme sich zünden"
69 Götterdämmerung / Prologue: "O heilige Götter! Hehre Geschlechter!"
70 Götterdämmerung, Act I: "Blühenden Lebens labendes Blut"
71 Götterdämmerung, Act II: "Muss sein Tod sie betrüben, verhehlt sei ihr die Tat"
72 Die Walküre, Act III: "Der dich zwingt, wird dir's entziehn!"
73 Das Rheingold, Scene 2: "Nacht und Nebel, niemand gleich!"
74 Die Walküre, Act I: "Kühlende Labung gab mir der Quell"
75 Die Walküre, Act I: "Siegmund, den Wälsung, siehst du, Weib!"
76 Götterdämmerung, Act II: "Wo Scharfes mich schneidet, schneide du mich"
77 Siegfried, Act II: "Aber wie sah meine Mutter wohl aus?" (Waldweben)
78 Götterdämmerung, Act I: "Brünnhilde, bring' ich dir!"
79 Die Walküre, Act III: "Hier bin ich, Vater"
80 Das Rheingold, Scene 4: "Bin ich nun frei?"
81 Götterdämmerung, Act III: "In Leid zu dem Wipfel lauscht' ich hinauf"
82 Siegfried, Act II: "Wohin schleichst du"
83 Die Walküre, Act II: "Siegmund! Sieh auf mich!"
84 Siegfried, Act III: "Ewig war ich"
85 Götterdämmerung, Act I: "Was leckt so wütend"
86 Die Walküre, Act I: "Du bist der Lenz"
87 Die Walküre, Act III: "Der Augen leuchtendes Paar"
88 Die Walküre, Act II: "Doch Brünnhilde! Weh der Verbrecherin!"
89 Siegfried, Act III: "Dir Unweisen ruf' ich ins Ohr"
90 Siegfried, Act I: "Nun tobst du wieder wie toll"
91 Siegfried, Act I: "Mein Vater bist du nicht"
92 Siegfried, Act I: "Verfluchtes Licht"
93 Das Rheingold, Zweite Sz. . ene: Was sinnt nun Wotan so wild?
94 Das Rheingold, Scene 4: "Willig glaub' ich dem Wunder"
95 Wotan, like many leaders.
96 When Loge first appears.
97 The first Act of The Valkyrie is unsurpassed.
98 There is a striking contrast between.
99 We are a long way.
100 The orchestral richness of Siegfried.
101 Throughout this marvellous work.
102 The curtain rises on Alberich.
103 Siegfried muses on what his father.
104 Wagner handles the scene.
105 Siegfried reappears from the cave.
106 When the curtain rises.
107 Ungrateful adolescents.
108 The baying of Hunding's dogs is heard.
109 Wagner the magician begins casting his spells.
110 Sieglinde, in her delirium.
111 The Ride of the Valkyries that opens Act III.
112 Sieglinde has left the scene.
113 Brünnhilde can't believe.
114 Siegfried appears suddenly.
115 Brünnhilde concludes bitterly.
116 Baffled by these developments.
117 It's difficult to imagine.
118 Act II has taken the drama.
119 Before the curtain rises on the final act.
120 He had loosened her helm.
121 Night has fallen.
122 In 1871, when Wagner was working.
123 The Ring of the Nibelung is the largest.
124 Das Rheingold, Scene 2: "So weit Leben und Luft"
125 That was Loge's account.
126 There are numerous Beethovenian touches.
127 Das Rheingold / Scene 2: Absteig nach Nibelheim (Descent into Nibelheim) - Edit
128 This has its roots…
129 Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Edit
130 It is often said.
131 Let's consider one example in Das Rheingold.
132 Götterdämmerung / Prologue: Einleitung
133 Das Rheingold, Scene 2: "Höhnst du uns? Ha, wie unrecht!"
134 Das Rheingold, Scene 1: Orchesterzwischenspiel
135 Das Rheingold, Scene 2: Valhalla Motive
136 Das Rheingold, Scene 3: Loge's Motive
137 Das Rheingold, Scene 3: Tarnhelm Motive
138 Die Walküre / Dritter Aufzug: Magic Fire Music - Edit
139 Siegfried / Erster Aufzug: Vorspiel - Edit