1 Das Rheingold, Scene 1: Vorspiel - "Weia! Waga! Woge, du Welle!"
2 Das Rheingold, Zweite Sz. . ene: Was sinnt nun Wotan so wild?
3 in his adult life, Wagner came to revere J.S. Bach.
4 While Brünnhilde, on her mountain t, Op. ..
5 There is something Shakespearian.
6 When the excitement has died down.
7 Siegfried has been hunting.
8 When they have gone.
9 Then Brünnhilde steps forward.
10 The potion does its obliterating work.
11 When Siegfried reaches the summit.
12 The music that Wagner introduces.
13 To modern sensibilities.
14 Siegfried disappears from view.
15 Towards the end of Siegfried's Rhine journey.
16 Then there is Hagen.
17 Siegfried greets Gunther.
18 Wagner puts many chilling passages.
19 Wagner's orchestration is nowhere more varied.
20 The refrain recurs each time.
21 The myths and legends of the north.
22 Then, in one of the most vitriolic passages.
23 With the return of Freia.
24 Under this spell.
25 The hut in which Siegmund has sought refuge.
26 What happens next is a black comedy.
27 The second reason.
28 Siegfried, Act III: "Dir Unweisen ruf' ich ins Ohr"
29 Die Walküre, Act II: "Doch Brünnhilde! Weh der Verbrecherin!"
30 Die Walküre, Act III: "Der Augen leuchtendes Paar"
31 Die Walküre, Act I: "Du bist der Lenz"
32 Götterdämmerung, Act I: "Was leckt so wütend"
33 Siegfried, Act III: "Ewig war ich"
34 Die Walküre, Act II: "Siegmund! Sieh auf mich!"
35 Das Rheingold, Scene 4: "Rheingold! Rheingold! Reines Gold!"
36 Siegfried, Act II: "Wohin schleichst du"
37 Götterdämmerung, Act III: "In Leid zu dem Wipfel lauscht' ich hinauf"
38 Das Rheingold, Scene 4: "Bin ich nun frei?"
39 Die Walküre, Act III: "Hier bin ich, Vater"
40 Götterdämmerung, Act I: "Brünnhilde, bring' ich dir!"
41 Siegfried, Act II: "Aber wie sah meine Mutter wohl aus?" (Waldweben)
42 Götterdämmerung, Act II: "Wo Scharfes mich schneidet, schneide du mich"
43 Die Walküre, Act I: "Siegmund, den Wälsung, siehst du, Weib!"
44 Die Walküre, Act I: "Kühlende Labung gab mir der Quell"
45 Das Rheingold, Scene 2: "Nacht und Nebel, niemand gleich!"
46 Die Walküre, Act III: "Der dich zwingt, wird dir's entziehn!"
47 Götterdämmerung, Act II: "Muss sein Tod sie betrüben, verhehlt sei ihr die Tat"
48 Götterdämmerung, Act I: "Blühenden Lebens labendes Blut"
49 Siegfried, Act III: "Wie des Blutes Ströme sich zünden"
50 Götterdämmerung / Prologue: "O heilige Götter! Hehre Geschlechter!"
51 Siegfried, Act I: "Glühender Schauer schüttelt die Glieder"
52 Siegfried, Act I: "Nun tobst du wieder wie toll"
53 Siegfried, Act I: "Mein Vater bist du nicht"
54 Siegfried, Act I: "Verfluchtes Licht"
55 Das Rheingold, Scene 4: "Willig glaub' ich dem Wunder"
56 Götterdämmerung, Act I: "Ein gemächlicher Schlag"
57 Die Walküre, Act III: "Den hehrsten Helden der Welt"
58 Götterdämmerung, Act II: "Schlugen wir Tiere, was schaffen wir dann?"
59 Woglinde's melody is a lullaby.
60 Wotan, like many leaders.
61 When Loge first appears.
62 The first Act of The Valkyrie is unsurpassed.
63 There is a striking contrast between.
64 We are a long way.
65 The orchestral richness of Siegfried.
66 Throughout this marvellous work.
67 The curtain rises on Alberich.
68 Siegfried muses on what his father.
69 Wagner handles the scene.
70 Siegfried reappears from the cave.
71 When the curtain rises.
72 Ungrateful adolescents.
73 The baying of Hunding's dogs is heard.
74 Wagner the magician begins casting his spells.
75 Sieglinde, in her delirium.
76 The Ride of the Valkyries that opens Act III.
77 Sieglinde has left the scene.
78 Brünnhilde can't believe.
79 Siegfried appears suddenly.
80 Brünnhilde concludes bitterly.
81 Baffled by these developments.
82 It's difficult to imagine.
83 Act II has taken the drama.
84 Before the curtain rises on the final act.
85 He had loosened her helm.
86 Night has fallen.
87 In 1871, when Wagner was working.
88 Hagen cuts the horn in two.
89 Erda descends again.
90 From this point until the end of the act.
91 Götterdämmerung ('Twilight of the Gods').
92 One of the marvels.
93 Gutrune's music is heart-rending.
94 Gunther lacks self-confidence.
95 Hagen seems to be remarkably.
96 Hagen hails him from the shore.
97 in a great symphonic climax.
98 As with the Ring, the subjects of Greek tragedy.
99 In the Ring's preliminary evening.
100 In the first Act of The Valkyrie, a solitary cello.
101 Hunding retires for the evening.
102 For the first time, in the moonlight.
103 Determined to obtain the ring.
104 As a young radical, he argued.
105 A gently undulating theme appears.
106 But all is not sweetness.
107 Loge enjoys one special advantage.
108 On this second day of the Ring.
109 Acts I and II of Siegfried.
110 It's not easy to convey.
111 Despite Mime's efforts.
112 Mime is now faced with a dilemma.
113 If the music of Act I of The Valkyrie.
114 Mime then tells Siegfried about Fafner.
115 In myths and folk legends.
116 Mime then imagines himself.
117 in June 1857 Wagner abandoned.
118 Before the curtain rises.
119 in his earliest drafts for Siegfried's Death.
120 Needless to say, Brünnhilde, on her return.
121 But we are getting ahead.
122 Heard in isolation, Sieglinde's music.
123 After her initial shock.
124 He kisses her gently on the eyelids.
125 The Ring of the Nibelung is the largest.
126 Das Rheingold, Scene 2: "So weit Leben und Luft"
127 That was Loge's account.
128 There are numerous Beethovenian touches.
129 Das Rheingold / Scene 2: Absteig nach Nibelheim (Descent into Nibelheim) - Edit
130 This has its roots…
131 Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Edit
132 It is often said.
133 Götterdämmerung / Prologue: Einleitung
134 Let's consider one example in Das Rheingold.
135 Das Rheingold, Scene 2: "Höhnst du uns? Ha, wie unrecht!"
136 Götterdämmerung, Act I: Gunther's Motive
137 Das Rheingold, Scene 1: Orchesterzwischenspiel
138 Götterdämmerung, Act I: Gutrune's Motive
139 Das Rheingold, Scene 2: Valhalla Motive
140 Götterdämmerung, Act I: Hagen's Motive
141 Das Rheingold, Scene 3: Loge's Motive
142 Das Rheingold, Scene 3: Tarnhelm Motive
143 Götterdämmerung, Act II: Orchestervorspiel
144 Die Walküre, Act I: Orchestervorspiel
145 Götterdämmerung, Act III: Orchestervorspiel
146 Die Walküre, Act I: Motives of Siegmund & Sieglinde
147 Götterdämmerung, Act III: Finale
148 Die Walküre, Act II: Vorspiel
149 Die Walküre, Act II: Motive of Wotan's Frustration
150 Die Walküre / Dritter Aufzug: Magic Fire Music - Edit
151 Siegfried / Erster Aufzug: Vorspiel - Edit
152 Siegfried, Act III: Vorspiel
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