Paroles d'albums The All-Baroque Box par Trevor Pinnock, Les Musiciens du Louvre, Marc Minkowski, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh, English Baroque Soloists, John Eliot Gardiner, Accademia Bizantina, Ottavio Dantone, Choeur des Musiciens du Louvre-Grenoble, Monteverdi Choir, Gustav Leonhardt, Michael Chance, The English Concert Choir, Andreas Scholl, Michaela Comberti, Elizabeth Wilcock, His Majesties Sagbutts and Cornetts, Jaap Ter Linden, Miles Golding, Russell Smythe, Mark Tucker, Nigel Robson, Charles Daniels, Véronique Gens, John Mark Ainsley, Laurent Naouri, Magdalena Kožená, Peter Harvey, Anthony Rolfe Johnson, Mireille Delunsch, Anthony Rooley, Consort Of Musicke, Timothy Roberts, Anne Sofie von Otter, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Lynne Dawson, Susan Hemington Jones, Timothy Wilson, Friedemann Immer, Alastair Ross, Ann Monoyios, Annick Massis, Jakob Lindberg, Jean-Philippe Courtis, Marinella Pennicchi, Alastair Miles, Céline Scheen, Emma Kirkby, Nigel Rogers, Stephen Varcoe, Andrew Tusa, Bryn

The All-Baroque Box

Trevor Pinnock, Les Musiciens du Louvre, Marc Minkowski, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh, English Baroque Soloists, John Eliot Gardiner, Accademia Bizantina, Ottavio Dantone, Choeur des Musiciens du Louvre-Grenoble, Monteverdi Choir, Gustav Leonhardt, Michael Chance, The English Concert Choir, Andreas Scholl, Michaela Comberti, Elizabeth Wilcock, His Majesties Sagbutts and Cornetts, Jaap Ter Linden, Miles Golding, Russell Smythe, Mark Tucker, Nigel Robson, Charles Daniels, Véronique Gens, John Mark Ainsley, Laurent Naouri, Magdalena Kožená, Peter Harvey, Anthony Rolfe Johnson, Mireille Delunsch, Anthony Rooley, Consort Of Musicke, Timothy Roberts, Anne Sofie von Otter, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Lynne Dawson, Susan Hemington Jones, Timothy Wilson, Friedemann Immer, Alastair Ross, Ann Monoyios, Annick Massis, Jakob Lindberg, Jean-Philippe Courtis, Marinella Pennicchi, Alastair Miles, Céline Scheen, Emma Kirkby, Nigel Rogers, Stephen Varcoe, Andrew Tusa, Bryn

2012 115 chansons

1. Castor et Pollux: Scène funèbre (Live At Theatre, Salle Molière, Poissy / 2003)

2. Dardanus, Prologue: Premier Tambourin / Deuxième Tambourin (Live At Theatre, Salle Molière, Poissy / 2003)

3. Les Boréades, Act I: Contredanse (Live At Theatre, Salle Molière, Poissy / 2003)

4. La Naissance d'Osiris: Air gracieux (Live At Theatre, Salle Molière, Poissy / 2003)

5. Platée [ou Junon jalouse]: Orage (Live At Theatre, Salle Molière, Poissy / 2003)

6. Les Boréades, Act V: Prélude (Live At Theatre, Salle Molière, Poissy / 2003)

7. Les fêtes d'Hébé, Act III: Musette tendre en rondeau, Tambourin en rondeau (Live At Theatre, Salle Molière, Poissy / 2003)

8. Naïs, Prologue: Rigaudons (Live At Theatre, Salle Molière, Poissy / 2003)

9. Les Boréades, Act IV: Entrée de Polymnie (Live At Theatre, Salle Molière, Poissy / 2003)

10. Les indes galantes / Act 9: Chaconne (Live At Theatre, Salle Molière, Poissy / 2003)

11. Te Deum for Soloists, Chorus and Orchestra, H 146: Te Deum Laudamus (Bass)

12. L'Orfeo, Act III: "Ben mi lusinga" - "Ahi, sventurato amante" - Sinfonia - "Ei dorme"

13. Vespro della Beata Vergine: Magnificat II a 6

14. L'Orfeo, Act IV: Pietade, oggi, e amore - Ecco il gentil cantor

15. Freue dich des Weibes deiner Jugend, SWV 453

16. Pomone, Act I: Passons nos jours dans ces vergers

17. Te Deum for Soloists, Chorus and Orchestra, H 146: Te Ergo Quaesumus (Soprano I)

18. Armide, Opera in 5 Actes with Prologue: Que l'éclat de son nom

19. Dido and Aeneas: Overture

20. L'Orfeo, Act III: Sinfonia-Nulla impresa per huom

21. L'Orfeo, Act V: Ritornello-Vanne Orfeo felice a pieno

22. L'Orfeo, Act IV: Sinfonia-É la virtite un raggio

23. Sonata Con Tre Violini (XXI from Canzoni Et Sonate, 1615)

24. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643): Sacristy bell

25. Selva morale e spirituale: Antiphon: Spiritus Sanctus

26. Selva morale e spirituale: Versicle & Response: Ave Maria / Dominus tecum

27. Chapter: Ecce virgo

28. L'organo suonarino: Antiphon: Ante thronum

29. Concerti ecclesiastici (1621): Antiphon: Haec est quae nescavit

30. L'organo suonarino: Antiphon: Beatam me dicent

31. Antiphon: Beata es Maria

32. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) - Arr. Timothy Roberts: Antiphon: Angelus Domini

33. First Vespers of the Annunciation of the Blessed Virgin (as it might have been celebrated in St. Mark's, Venice in 1643) - Arr. Timothy Roberts: Versicle & Response: Deus in adiutorium / Domine ad adiuvandum

34. Sonate, symphonie, canzoni, opera ottava (1626): Sonata con tre violini in eco

35. Sonate, symphonie, canzoni, opera ottava (1626): Collect: Dominus vobiscum - Deus, qui de beatae Mariae

36. Sonate, symphonie, canzoni, opera ottava (1626): Dismissal: Dominus vobiscum - Benedicamus Domino

37. Missa Salisburgensis: Sonata Sancti Polycarpi

38. Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Symphony

39. Le bourgeois gentilhomme (1670): Marche pour la cérémonie des Turcs

40. Les Folies d'Espagne

41. Les amants magnifiques: Entrée d'Apollon

42. Te Deum Motet à deux choeurs

43. La Nuit Ballet: Ouverture

44. Vespro della Beata Vergine, SV 206: V. Pulchra es a 2 - Live

45. Vespro della Beata Vergine, SV 206: X. Lauda Jerusalem a 7 - Live

46. Vespro della Beata Vergine: Nisi Dominus a 10

47. L'Orfeo, Act V: Moresca

48. Magnificat À 33 (C151) - Arr. Hugh Keyte

49. Misericordia Tua, Domine À 12 (C69)

50. Jubilate Deo

51. Ardens Est Cor Meum

52. Audi, Dulcis Amica Mea

53. Buccinate in Neomenia Tuba À 19 (C84)

54. Suscipe, Clementissime Deus À 12 (C70)

55. In Ecclesiis À 14 (C78)

56. Messe de Minuit, H. 9: Gloria

57. Messe de Minuit, H. 9: Credo

58. Vespro della Beata Vergine: Sonata sopra Sancta Maria a 1

59. Vespro della Beata Vergine: Dixit Dominus a 6

60. Vespro della Beata Vergine: Audi coelum a 8

61. Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: The airy violin

62. Selva morale e spirituale: Hymn: "Deus qui mundum crimine iacentem"

63. Ghirlanda sacra, libro primo (1625): Motet: "O quam tu pulchra es"

64. Hail, Bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hail, Bright Cecilia!

65. Musiche sacre (1656): Psalm 147: "Lauda Jerusalem"

66. Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Hark, hark, each tree its silence breaks

67. Hail, bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: Thou tun'st this world below, the spheres above

68. Selva morale e spirituale: Psalm 112: "Laudate pueri"

69. Hail, Bright Cecilia!, Z. 328 Ode for St. Cecilia's Day: With That Sublime Celestial Lay

70. Messa e salmi (1640): Psalm 109: "Dixit Dominus"

71. Seventh Book of Madrigals (1619): Parlo, Misero, O Taccio

72. Selva morale e spirituale: "Laudate Dominum" (Terzo)

73. Missa Salisburgensis: Kyrie

74. Te Deum for Soloists, Chorus and Orchestra, H 146: Te Aeternum Patrem (Chorus, Soprano I/II, Mezzo-Soprano, Tenor)

75. Te Deum for Soloists, Chorus and Orchestra, H 146: Tu Devicto Mortis Aculeo (Chorus, Bass)

76. Te Deum for Soloists, Chorus and Orchestra, H 146: Aeterna Fac Cum Sanctis Tuis (Chorus, Mezzo-Soprano, Tenor, Bass, Soprano II)

77. Te Deum For Soloists, Chorus And Orchestra, H 146: Dignare, Domine, die isto (Soprano I, Bass, Soprano II)

78. Te Deum for Soloists, Chorus and Orchestra, H 146: Fiat Misericordia Tua, Domine, Super Nos (Soprano I, Bass)

79. Te Deum For Soloists, Chorus And Orchestra, H 146: in te, Domine, speravi (Chorus, Mezzo-Soprano, Tenor, Bass)

80. Messe de Minuit, H. 9: Sanctus - Benedictus

81. Messe de Minuit, H. 9: Christe

82. Messe de Minuit, H. 9: Agnus Dei

83. Seventh Book of Madrigals (1619): Con Che Soavità

84. Seventh Book of Madrigals (1619): Ogni Amante È Guerrier

85. Seventh Book of Madrigals (1619): Ohimè, Dov'è Il Mio Ben

86. Seventh Book of Madrigals (1619): Chiome D'oro

87. Seventh Book of Madrigals (1619): Vorrei Baciarti, O Filli

88. Seventh Book of Madrigals (1619): Tempo la Cetra

89. Seventh Book of Madrigals (1619): Mentre Vaga Angioletta

90. Eighth Book of Madrigals: Come Dolce Hoggi L'auretta

91. Seventh Book of Madrigals (1619): S'el Vostro Cor, Madonna

92. Pomone, Act II: Que voyez-vous mes yeux

93. Musikalische Exequien, SWV 279/281: Part I:Concert in Form einer teutschen Begräbnis-Missa

94. Isis Opera in 5 actes with prologue, Prologue: C'est lui dont les dieux ont fait choix

95. Messa, salmi concertati e parte da capella, et letanie della B. V.: Laetatus sum (I), SV 198

96. Musikalische Exequien, SWV 279/281: Part III: Canticum Simeonis

97. Te Deum for Soloists, Chorus and Orchestra, H 146: Te Per Orbem Terrarum (Mezzo-Soprano, Tenor, Bass)

98. L'Orfeo, Act IV: Signor, quel infelice - Benché severo - O degli abitator - Quali grazie ti rendo - Tue soavi parole

99. L'Orfeo, Act V: Ritornello-Questi i campi di Tracia

100. L'Orfeo, Act V: Sinfonia-Perch'a lo sdegno ed al dolor

101. L'Orfeo, Act IV: Qual onor di te - O dolcissimi lumi - Rotto hai

102. L'Orfeo, Act III: Sinfonia - "Scorto da te, mio nume" - "Ecco l'atra palude" - "Dove, ah, dove te'n vai"

103. L'Orfeo, Act II: "Ahi, caso acerbo" - "Ma io, che in questa lingua"

104. L'Orfeo, Act IV: Ahi, vista troppo dolce - Torn'a l'ombra -Dove ten vai

105. L'Orfeo, Act II: "Chi ne consola, ahi lassi?" - "Ahi, caso acerbo"

106. L'Orfeo / Prologo: Ritornello-Dal mio Permesso amato

107. L'Orfeo, Act I: "Lasciate i monti" - "Ma tu, gentil cantor"

108. L'Orfeo, Act I: "Rosa del ciel" - "Io non dirò qual sia" - "Lasciate i monti" - "Vieni, Imeneo"

109. L'Orfeo, Act I: "Ma se il nostro gioir" - "Ecco Orfeo"

110. Ein langer und schöner Aufzug (Ein schöner Aufzug By Pater Ignatius Augustiner): Fanfare I (Riedl) + Fanfare II (Augustiner)

111. L'Orfeo, Act II: Mira che sé n'alletta - Dunque fa degni, Orfeo

112. L'Orfeo, Act II: Ritornello-Vi ricorda o bosch'ombrosi

113. L'Orfeo, Act II: "Ahi, caso acerbo" - "In un fiorito prato"

114. Dido and Aeneas, Act II: "In our deep vaulted cell"

115. Dido and Aeneas, Act III: "With drooping wings"