paroles de chanson Word of Mouth (Live) - Laurie Anderson
In
1980,
as
part
of
a
project
called
Word
of
Mouth,
I
was
invited,
along
with
a
living
other
artists,
to
go
to
Panape,
a
tiny
island
in
the
middle
of
the
Pacific.
The
idea
was
that
we'd
sit
around
talking
for
a
few
days
and
that
the
conversations
would
be
made
into
a
talking
record.
The
first
night
we
were
all
really
jet-lagged
but
as
soon
as
we
sat
down
the
organizers
set
up
all
these
mikes
and
switched
on
thousand
white
light
bulbs.
And
we
tried
our
best
to
seem
as
intelligent
as
possible.
Television
had
just
come
to
Panape
a
week
before
we
arrived
and
there
was
a
strong
excitement
around
the
island
as
people
crowded
around
the
few
sets.
Then
the
day
after
we
arrived,
in
a
bizarre
replay
of
the
first
TV
show
ever
broadcast
to
Panape,
prisoners
escaped
from
a
jail,
broke
into
the
radio
station
and
murdered
the
DJ.
Then
they
went
off
on
a
rampage
through
the
jungle,
armed
with
lawnmower
blades.
In
all,
four
people
were
murdered
in
cold
blood.
Detectives,
flown
in
from
Guam
to
investigate,
swarmed
everywhere.
At
night
we
stayed
around
in
our
cottages,
listening
out
into
the
jungle.
Finally
the
local
chief
decided
to
hold
a
ceremony
for
the
murder
victims.
The
artist
Marina
Brownovich
and
I
went,
as
representatives
of
our
group
to
film
it.
The
ceremony
was
held
in
a
large
thatched
lean-to
and
most
of
the
ceremony
involved
cooking
beans
in
pits
and
brewing
a
dark
drink
from
roots.
The
smell
was
overwhelming.
Dogs
###040225
around
barking.
And
everybody
seemed
to
be
having
a
fairly
good
time...
as
funerals
go.
After
a
few
hours
Marina
and
I
were
presented
to
the
chief,
who
was
sitting
on
a
raised
platform
above
the
pits.
We'd
been
told
we
couldn't
turn
our
backs
on
the
chief
at
any
time
or
ever
be
higher
than
he
was.
So
we
scrambled
up
onto
the
platform
with
our
film
equipment
and
sort
of
duck-waddled
up
backwards
to
the
chief.
As
a
present
I
brought
one
of
those
Fred
Flintstone
cameras,
the
kind
where
the
film
canister
is
also
the
body
of
the
camera,
and
I
presented
it
to
the
chief.
He
seemed
delighted
and
began
to
click
off
pictures.
He
wasn't
advancing
the
film
between
shots,
but
since
we
were
told
we
shouldn't
speak
unless
spoken
to,
I
wasn't
able
to
inform
him
that
he
wasn't
going
to
get
twelve
pictures,
but
only
one,
very,
very
complicated
one.
After
a
couple
more
hours
the
chief
lifted
his
hand,
and
there
was
absolute
silence.
All
the
dogs
had
suddenly
stopped
barking.
We
looked
around
and
saw
the
dogs.
All
their
throats
had
been
simultaneously
cut
and
their
bodies,
still
breathing,
pierced
with
rods,
were
turning
on
those
pits.
The
chief
insisted
we
join
in
the
meal
but
Marina
had
turned
green
and
I
asked
if
we
could
just
have
ours
to
go.
They
carefully
wrapped
the
dogs
in
leaves
and
we
carried
their
bodies
away.
1 The End of the World (Live)
2 The Salesman (Live)
3 The Night Flight from Houston (Live)
4 Word of Mouth (Live)
5 The Soul Is a Bird (Live)
6 The Ouija Board (Live)
7 The Ugly One With the Jewels (Live)
8 The Geographic North Pole (Live)
9 John Lilly (Live)
10 The Rotowhirl (Live)
11 On the Way to Jerusalem (Live)
12 The Hollywood Strangler (Live)
13 Maria Teresa Teresa Maria (Live)
14 Someone Else's Dream (Live)
15 White Lily (Live)
16 The Mysterious "J" (Live)
17 The Cultural Ambassador (Live)
18 Same Time Tomorrow (Live)
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