Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

1 Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz
2 Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)
3 Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot
4 Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere
5 Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt
6 Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen
7 Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir
8 Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
9 Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken
10 Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten
11 Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter
12 Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm
13 Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen
14 Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe
15 Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz
16 Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen
17 Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig
18 Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
19 Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen
20 Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern
21 Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit
22 Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend
23 Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
24 Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren
25 Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß
26 Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin
27 Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten
28 Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'
29 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme
30 Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
31 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt
32 Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
33 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil
34 Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!
35 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')
36 Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig
37 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir
38 Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe
39 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!
40 Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen
41 Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen
42 Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen
43 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden
44 Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen
45 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt
46 Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott
47 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn
48 Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen
49 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg
50 Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an
51 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm
52 Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel
53 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest
54 Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder
55 Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl
56 Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat
57 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein
58 Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege
59 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt
60 Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!
61 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor
62 Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!
63 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt
64 Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte
65 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht
66 Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan
67 Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr
68 Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
69 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir
70 Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los
71 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib
72 Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!
73 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken
74 Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen
75 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren
76 Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig
77 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz
78 Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden
79 Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich
80 Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten
81 Magnificat in D, BWV243: i. Coro: Magnificat anima mea
82 Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
83 Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus
84 Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen
85 Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem
86 Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst
87 Magnificat in D, BWV243: iv. Coro: Omnes generationes
88 Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen
89 Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna
90 Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!
91 Magnificat in D, BWV243: vi. Duetto: Et misericordia
92 Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand
93 Magnificat in D, BWV243: vii. Coro: Fecit potentiam
94 Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee
95 Magnificat in D, BWV243: viii. Aria: Deposuit potentes
96 Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden
97 Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis
98 Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da
99 Magnificat in D, BWV243: x. Terzetto: Suscepit Israel
100 Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war
101 Magnificat in D, BWV243: xi. Coro: Sicut locutus est
102 Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein
103 Magnificat in D, BWV243: xii. Coro: Gloria Patri
104 Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen
105 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio
106 Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht
107 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro
108 Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder
109 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante
110 Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace
111 Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro
112 Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce
113 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio
114 Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro
115 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai
116 Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]
117 Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco
118 Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio
119 No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto
120 Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro
121 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio
122 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro
123 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto
124 Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro
125 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano
126 Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto
127 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro
128 Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro
129 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio
130 Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano
131 Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro
132 Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid
133 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo
134 Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro
135 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro
136 Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2
137 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio
138 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto
139 Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace
140 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro
141 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro
142 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante
143 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo
144 Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro
145 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro
146 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten
147 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio
148 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu
149 Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro
150 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden
151 Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen
152 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen
153 Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte
154 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen
155 Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen
156 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke
157 Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester
158 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen
159 Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest
160 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe
161 Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien
162 Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage
163 Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath
164 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor
165 Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete
166 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore
167 Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du
168 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore
169 Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu
170 Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta
171 Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer