
1 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping now to the famous third movement, the great March..." (3rd movt.)
2 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 2. "Now the development section erupts..." (1st movt. cont.)
3 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 1. "Now there is a melody, a pure orchestral song..." (1st movt.)
4 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 9. "Well, we have had a microscopic look at symphonic method"
5 Musical Analysis: Bernstein on Brahms, Symphony No.4, op.98, first movement: 8. "So we arrive at the coda"
6 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 6. "This Brings Us to the Development Section Proper"
7 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 4. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"
8 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 3. "Do You See Now What a Symphonic Theme Is?"
9 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 2. "Our Journey Begins Without Introduction."
10 Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 6. "Now I don´t want to give you the impression that scales are the only unifying force in this work"
11 Schumann: 4. "And so we have arrived at the Allegro section..." (1st movt. cont.) [Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61]
12 Schumann: 3. "Now let´s look at the symphony itself" (1st movement) [Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61]
13 Schumann: 1. "Robert Schumann has been dead..." (3rd movement, opening theme) [Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61]
14 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 5. "The Final Claim of Those Who Argue for the New World Symphny As American Music, ." (4th Movt.,cont.)
15 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 3. "The Third Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
16 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 2. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)
17 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 1. "Does This Music Sound Like the New World to You?" (3rd Movt., Trio II; 1st Movt.)
18 Symphony No. 3 in E-Flat, Op. 55 -"Eroica": I. Allegro con brio
19 Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
20 Symphony No. 6 in B Minor, Op. 74 -"Pathétique": III. Allegro molto vivace
21 Symphony No. 6 in B Minor, Op. 74 - "Pathétique": IV. Finale (Adagio lamentoso - Andante)
22 Symphony No. 3 in E-Flat, Op. 55 -"Eroica": II. Marcia funebre (Adagio assai)
23 Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "Simplicity Itself..." (1st Movement)
24 Musical Analysis (Bernstein on Beethoven´s Symphony No.3, op.55, "Eroica"): "I always feel this gigantism" (2nd movt.)
25 Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "All That We Have Said" (4th Movt.)
26 Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica"): "The Study of the Eroica Is a Lifetime Work,..."
27 Symphony No. 2 in C, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
28 Schumann: 6. "But perhaps the greatest beauty..." (3rd movt.) [Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61]
29 Schumann: 7. "Even in the final movement" (4th movt.) [Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61]
30 Musical Analysis: Bernstein on Schumann, Symphony No.2, op.61: 2. "To my mind Schumann follows in this tradition"
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