paroles de chanson "Leningrad" and Making Human Connections - Billy Joel
Victor
was
born
The
spring
of
'44
And
never
saw
His
father
anymore
The
child
of
sacrifice
Child
of
war
Another
son
who
never
had
A
father
after
Leningrad
Went
off
to
school
And
learned
to
serve
his
state
Follow
the
rules
And
drank
his
vodka
straight
The
only
way
to
live
Was
drown
the
hate
The
Russian
life
was
very
sad
And
such
was
life
in
Leningrad
I
was
born
in
'49
A
cold
war
kid
in
the
McCarthy
times
Stop
'em
at
the
38th
parallel
Blast
those
yellow
reds
to
hell
Cold
war
kids
were
hard
to
kill
Under
their
desks
in
an
air
raid
drill
Haven't
they
heard
we
won
the
war
What
do
they
keep
on
fighting
for?
Victor
was
sent
To
some
red
army
town
Served
out
his
time
Become
a
circus
clown
The
greatest
happiness
He'd
ever
found
Was
making
Russian
children
glad
When
children
lived
in
Leningrad.
The
children
lived
in
Levittown
Hid
in
the
shelters
underground
Til
the
soviets
turned
their
ships
around
Torn
the
Cuban
missiles
down
And
in
that
bright
October
sun
We
knew
our
childhood
days
were
done
I
watched
my
friends
go
off
to
war
What
do
they
keep
on
fighting
for?
So
my
child
and
I
came
to
this
place
To
meet
him,
eye
to
eye
and
face
to
face
He
made
my
daughter
laugh
Then
we
embraced
We
never
knew
what
friends
we
had
Until
we
came
to
Leningrad.

1 "Leningrad" and Making Human Connections
2 Billy Discusses "Allentown"
3 Older Fans Giving Way to Younger Fans
4 How Russian Fans Reacted to the Music
5 The Lasting Influence of the Trip
6 Glasnost and the Invitation to Play Russia
7 Growing Up During the Cold War
8 Making the Documentary and the Risks Involved
9 Performing in Cuba as Precursor to Russia
10 Van Cliburn's Influence
11 Billy Discusses "Goodnight Saigon"
12 Tour Budgets and Breaking Even
13 Using a Russian Interpreter on Stage
14 Making Changes to Set Lists
15 Feeling the Energy of the Audience
16 Music as the International Language
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