The potion does its obliterating work.

1   What happens next is a black comedy.
2   The hut in which Siegmund has sought refuge.
3   Under this spell.
4   With the return of Freia.
5   Then, in one of the most vitriolic passages.
6   The myths and legends of the north.
7   The refrain recurs each time.
8   Wagner's orchestration is nowhere more varied.
9   Wagner puts many chilling passages.
10   Siegfried greets Gunther.
11   Then there is Hagen.
12   Towards the end of Siegfried's Rhine journey.
13   Siegfried disappears from view.
14   Götterdämmerung, Act II: "Schlugen wir Tiere, was schaffen wir dann?"
15   Die Walküre, Act III: "Den hehrsten Helden der Welt"
16   Götterdämmerung, Act I: "Ein gemächlicher Schlag"
17   Das Rheingold, Scene 1: Vorspiel - "Weia! Waga! Woge, du Welle!"
18   Siegfried, Act I: "Verfluchtes Licht"
19   Siegfried, Act I: "Mein Vater bist du nicht"
20   Siegfried, Act I: "Nun tobst du wieder wie toll"
21   Siegfried, Act I: "Glühender Schauer schüttelt die Glieder"
22   Götterdämmerung / Prologue: "O heilige Götter! Hehre Geschlechter!"
23   Siegfried, Act III: "Wie des Blutes Ströme sich zünden"
24   Götterdämmerung, Act I: "Blühenden Lebens labendes Blut"
25   Götterdämmerung, Act II: "Muss sein Tod sie betrüben, verhehlt sei ihr die Tat"
26   Die Walküre, Act III: "Der dich zwingt, wird dir's entziehn!"
27   Das Rheingold, Scene 2: "Nacht und Nebel, niemand gleich!"
28   Die Walküre, Act I: "Kühlende Labung gab mir der Quell"
29   Die Walküre, Act I: "Siegmund, den Wälsung, siehst du, Weib!"
30   Götterdämmerung, Act II: "Wo Scharfes mich schneidet, schneide du mich"
31   Siegfried, Act II: "Aber wie sah meine Mutter wohl aus?" (Waldweben)
32   Götterdämmerung, Act I: "Brünnhilde, bring' ich dir!"
33   Die Walküre, Act III: "Hier bin ich, Vater"
34   Das Rheingold, Scene 4: "Bin ich nun frei?"
35   Götterdämmerung, Act III: "In Leid zu dem Wipfel lauscht' ich hinauf"
36   Siegfried, Act II: "Wohin schleichst du"
37   Das Rheingold, Scene 4: "Rheingold! Rheingold! Reines Gold!"
38   Die Walküre, Act II: "Siegmund! Sieh auf mich!"
39   Siegfried, Act III: "Ewig war ich"
40   Götterdämmerung, Act I: "Was leckt so wütend"
41   Die Walküre, Act I: "Du bist der Lenz"
42   Die Walküre, Act III: "Der Augen leuchtendes Paar"
43   Die Walküre, Act II: "Doch Brünnhilde! Weh der Verbrecherin!"
44   Siegfried, Act III: "Dir Unweisen ruf' ich ins Ohr"
45   Das Rheingold, Zweite Sz. . ene: Was sinnt nun Wotan so wild?
46   The second reason.
47   Woglinde's melody is a lullaby.
48   Wotan, like many leaders.
49   When Loge first appears.
50   The first Act of The Valkyrie is unsurpassed.
51   There is a striking contrast between.
52   We are a long way.
53   The orchestral richness of Siegfried.
54   Throughout this marvellous work.
55   The curtain rises on Alberich.
56   Siegfried muses on what his father.
57   Wagner handles the scene.
58   Siegfried reappears from the cave.
59   When the curtain rises.
60   Ungrateful adolescents.
61   The baying of Hunding's dogs is heard.
62   Wagner the magician begins casting his spells.
63   Sieglinde, in her delirium.
64   The Ride of the Valkyries that opens Act III.
65   Sieglinde has left the scene.
66   Brünnhilde can't believe.
67   Siegfried appears suddenly.
68   Brünnhilde concludes bitterly.
69   Baffled by these developments.
70   It's difficult to imagine.
71   Act II has taken the drama.
72   Before the curtain rises on the final act.
73   He had loosened her helm.
74   Night has fallen.
75   In 1871, when Wagner was working.
76   Hagen cuts the horn in two.
77   Gunther lacks self-confidence.
78   Hagen seems to be remarkably.
79   Hagen hails him from the shore.
80   in a great symphonic climax.
81   As with the Ring, the subjects of Greek tragedy.
82   In the Ring's preliminary evening.
83   In the first Act of The Valkyrie, a solitary cello.
84   Hunding retires for the evening.
85   For the first time, in the moonlight.
86   Determined to obtain the ring.
87   As a young radical, he argued.
88   A gently undulating theme appears.
89   But all is not sweetness.
90   Loge enjoys one special advantage.
91   On this second day of the Ring.
92   Acts I and II of Siegfried.
93   It's not easy to convey.
94   Despite Mime's efforts.
95   Mime is now faced with a dilemma.
96   If the music of Act I of The Valkyrie.
97   Mime then tells Siegfried about Fafner.
98   In myths and folk legends.
99   Mime then imagines himself.
100   in June 1857 Wagner abandoned.
101   Before the curtain rises.
102   in his earliest drafts for Siegfried's Death.
103   Needless to say, Brünnhilde, on her return.
104   But we are getting ahead.
105   Heard in isolation, Sieglinde's music.
106   After her initial shock.
107   He kisses her gently on the eyelids.
108   Das Rheingold, Scene 4: "Willig glaub' ich dem Wunder"
109   in his adult life, Wagner came to revere J.S. Bach.
110   While Brünnhilde, on her mountain t, Op. ..
111   There is something Shakespearian.
112   When the excitement has died down.
113   Siegfried has been hunting.
114   When they have gone.
115   Then Brünnhilde steps forward.
116   The potion does its obliterating work.
117   When Siegfried reaches the summit.
118   The music that Wagner introduces.
119   To modern sensibilities.
120   Gutrune's music is heart-rending.
121   One of the marvels.
122   Götterdämmerung ('Twilight of the Gods').
123   From this point until the end of the act.
124   Erda descends again.
125   The Ring of the Nibelung is the largest.
126   Das Rheingold, Scene 2: "So weit Leben und Luft"
127   That was Loge's account.
128   There are numerous Beethovenian touches.
129   Das Rheingold / Scene 2: Absteig nach Nibelheim (Descent into Nibelheim) - Edit
130   This has its roots…
131   Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Edit
132   It is often said.
133   Let's consider one example in Das Rheingold.
134   Götterdämmerung / Prologue: Einleitung
135   Das Rheingold, Scene 2: "Höhnst du uns? Ha, wie unrecht!"
136   Götterdämmerung, Act I: Gunther's Motive
137   Das Rheingold, Scene 1: Orchesterzwischenspiel
138   Götterdämmerung, Act I: Gutrune's Motive
139   Das Rheingold, Scene 2: Valhalla Motive
140   Götterdämmerung, Act I: Hagen's Motive
141   Das Rheingold, Scene 3: Loge's Motive
142   Das Rheingold, Scene 3: Tarnhelm Motive
143   Götterdämmerung, Act II: Orchestervorspiel
144   Die Walküre, Act I: Orchestervorspiel
145   Götterdämmerung, Act III: Orchestervorspiel
146   Die Walküre, Act I: Motives of Siegmund & Sieglinde
147   Götterdämmerung, Act III: Finale
148   Die Walküre, Act II: Vorspiel
149   Die Walküre, Act II: Motive of Wotan's Frustration
150   Die Walküre / Dritter Aufzug: Magic Fire Music - Edit
151   Siegfried / Erster Aufzug: Vorspiel - Edit
152   Siegfried, Act III: Vorspiel