When they have gone.

1 But we are getting ahead.
2 Needless to say, Brünnhilde, on her return.
3 in his earliest drafts for Siegfried's Death.
4 Mime then imagines himself.
5 In myths and folk legends.
6 Mime then tells Siegfried about Fafner.
7 If the music of Act I of The Valkyrie.
8 Mime is now faced with a dilemma.
9 Despite Mime's efforts.
10 It's not easy to convey.
11 Acts I and II of Siegfried.
12 On this second day of the Ring.
13 Loge enjoys one special advantage.
14 But all is not sweetness.
15 A gently undulating theme appears.
16 As a young radical, he argued.
17 Determined to obtain the ring.
18 For the first time, in the moonlight.
19 Hunding retires for the evening.
20 In the first Act of The Valkyrie, a solitary cello.
21 In the Ring's preliminary evening.
22 As with the Ring, the subjects of Greek tragedy.
23 in a great symphonic climax.
24 Hagen hails him from the shore.
25 Hagen seems to be remarkably.
26 Gunther lacks self-confidence.
27 Gutrune's music is heart-rending.
28 One of the marvels.
29 Götterdämmerung ('Twilight of the Gods').
30 From this point until the end of the act.
31 Erda descends again.
32 Sieglinde has left the scene.
33 The Ride of the Valkyries that opens Act III.
34 Sieglinde, in her delirium.
35 Wagner the magician begins casting his spells.
36 The baying of Hunding's dogs is heard.
37 Ungrateful adolescents.
38 When the curtain rises.
39 Siegfried reappears from the cave.
40 Wagner handles the scene.
41 Siegfried muses on what his father.
42 The curtain rises on Alberich.
43 Throughout this marvellous work.
44 The orchestral richness of Siegfried.
45 We are a long way.
46 There is a striking contrast between.
47 The first Act of The Valkyrie is unsurpassed.
48 When Loge first appears.
49 Wotan, like many leaders.
50 Woglinde's melody is a lullaby.
51 The second reason.
52 What happens next is a black comedy.
53 The hut in which Siegmund has sought refuge.
54 Under this spell.
55 With the return of Freia.
56 Then, in one of the most vitriolic passages.
57 The myths and legends of the north.
58 The refrain recurs each time.
59 Wagner's orchestration is nowhere more varied.
60 Brünnhilde can't believe.
61 Siegfried appears suddenly.
62 Brünnhilde concludes bitterly.
63 Baffled by these developments.
64 It's difficult to imagine.
65 Act II has taken the drama.
66 Before the curtain rises on the final act.
67 He had loosened her helm.
68 Night has fallen.
69 In 1871, when Wagner was working.
70 Hagen cuts the horn in two.
71 in June 1857 Wagner abandoned.
72 Before the curtain rises.
73 Heard in isolation, Sieglinde's music.
74 After her initial shock.
75 He kisses her gently on the eyelids.
76 in his adult life, Wagner came to revere J.S. Bach.
77 Wagner puts many chilling passages.
78 Siegfried greets Gunther.
79 Then there is Hagen.
80 Towards the end of Siegfried's Rhine journey.
81 Siegfried disappears from view.
82 To modern sensibilities.
83 The music that Wagner introduces.
84 When Siegfried reaches the summit.
85 The potion does its obliterating work.
86 Then Brünnhilde steps forward.
87 When they have gone.
88 Siegfried has been hunting.
89 When the excitement has died down.
90 There is something Shakespearian.
91 Götterdämmerung, Act II: "Schlugen wir Tiere, was schaffen wir dann?"
92 Die Walküre, Act III: "Den hehrsten Helden der Welt"
93 Götterdämmerung, Act I: "Ein gemächlicher Schlag"
94 Das Rheingold, Scene 4: "Willig glaub' ich dem Wunder"
95 Das Rheingold, Zweite Sz. . ene: Was sinnt nun Wotan so wild?
96 Siegfried, Act I: "Glühender Schauer schüttelt die Glieder"
97 Siegfried, Act III: "Wie des Blutes Ströme sich zünden"
98 Götterdämmerung / Prologue: "O heilige Götter! Hehre Geschlechter!"
99 Götterdämmerung, Act I: "Blühenden Lebens labendes Blut"
100 Götterdämmerung, Act II: "Muss sein Tod sie betrüben, verhehlt sei ihr die Tat"
101 Die Walküre, Act III: "Der dich zwingt, wird dir's entziehn!"
102 Das Rheingold, Scene 2: "Nacht und Nebel, niemand gleich!"
103 Die Walküre, Act I: "Kühlende Labung gab mir der Quell"
104 Die Walküre, Act I: "Siegmund, den Wälsung, siehst du, Weib!"
105 Götterdämmerung, Act II: "Wo Scharfes mich schneidet, schneide du mich"
106 Siegfried, Act II: "Aber wie sah meine Mutter wohl aus?" (Waldweben)
107 Götterdämmerung, Act I: "Brünnhilde, bring' ich dir!"
108 Die Walküre, Act III: "Hier bin ich, Vater"
109 Das Rheingold, Scene 4: "Bin ich nun frei?"
110 Götterdämmerung, Act III: "In Leid zu dem Wipfel lauscht' ich hinauf"
111 Siegfried, Act II: "Wohin schleichst du"
112 Die Walküre, Act II: "Siegmund! Sieh auf mich!"
113 Siegfried, Act III: "Ewig war ich"
114 Götterdämmerung, Act I: "Was leckt so wütend"
115 Die Walküre, Act I: "Du bist der Lenz"
116 Die Walküre, Act III: "Der Augen leuchtendes Paar"
117 Die Walküre, Act II: "Doch Brünnhilde! Weh der Verbrecherin!"
118 Siegfried, Act III: "Dir Unweisen ruf' ich ins Ohr"
119 Siegfried, Act I: "Nun tobst du wieder wie toll"
120 Siegfried, Act I: "Mein Vater bist du nicht"
121 Siegfried, Act I: "Verfluchtes Licht"
122 Das Rheingold, Scene 1: Vorspiel - "Weia! Waga! Woge, du Welle!"
123 The Ring of the Nibelung is the largest.
124 Das Rheingold, Scene 2: "So weit Leben und Luft"
125 That was Loge's account.
126 There are numerous Beethovenian touches.
127 Das Rheingold / Scene 2: Absteig nach Nibelheim (Descent into Nibelheim) - Edit
128 This has its roots…
129 Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Edit
130 It is often said.
131 Let's consider one example in Das Rheingold.
132 Götterdämmerung / Prologue: Einleitung
133 Das Rheingold, Scene 2: "Höhnst du uns? Ha, wie unrecht!"
134 Das Rheingold, Scene 1: Orchesterzwischenspiel
135 Das Rheingold, Scene 2: Valhalla Motive
136 Das Rheingold, Scene 3: Loge's Motive
137 Das Rheingold, Scene 3: Tarnhelm Motive
138 Die Walküre / Dritter Aufzug: Magic Fire Music - Edit
139 Siegfried / Erster Aufzug: Vorspiel - Edit