Текст песни
Track
fourteen.
So
we
move
from
a
song
you
co-wrote
with
Ian
Brodie
For
your
album,
to
a
song
you
co-wrote
with
Ian
for
his
album.
"
My
Best
Day"
was
written
for
The
Lightning
Seeds'
Nineteen
ninety-four
album,
Jollification,
and
was
Later
added
to
the
deluxe
edition
of
Essex.
What
was
it
About
this
song
that
you
felt
key
to
your
songwriting?
Oh,
well,
I
think
it
was,
it
was
key
to,
to
my
forty
years'
Experience,
you
know.
It
was
one
of
the
rare
times
that
I've
Written
with
somebody
else
who's
not
a
bona
fide
songwriting
partner
You
know,
me
chancing
it
like
that.
And
it
worked
well
because
It
was
as,
you
know,
it's
what
worked
well
for
me,
to
send
me
Over
a
track
and
I'd
write
it
on
my
own.
You
know,
as
long
as
I'm
On
my
own,
I'm
kind
of
all
right.
But,
uh,
a-
also,
you
know,
he
He,
he
does
great
melodies
and,
you
know,
uh,
and
that
kind
of
Stuff.
And
I,
I,
I
like
the
song.
I
like
the
song,
and
it
was
a
Significant
moment
in
my
career.
You
know,
it's
like
one
of
the
Very
f-
rare
times
I've
ever
done
a
duet,
and
to
actually
have
a
Song
on
another
contemporary
artist's
album
was
pretty
significant
And
also,
of
course,
on
the
original
version
Both
you
and
Ian
Brodie
share
vocals
Mm
But
going
from
a
duet
to
a
solo
song
Does
that
impact
how
you
adapt
it
for
key?
The
way
that
I
do,
I
don't
think
it's
impacted
the
way
that
Sean
did
But,
you
know,
th-
we'll,
we'll
come
to
that.
I
mean,
I,
I
would
Still
have
liked
to
have
done
a
duet,
but
it
was...
Again,
you
know
It's
like
there's
that
thing
I
was
saying
to
you
before
about
singers
With
me,
when
I'm,
I'm,
I'm
quite,
uh...
I've
got
that
kind
of
Accent
going,
and
I've,
I've
got
a
very
particular
clip
kind
of
way
Of,
uh,
phrasing
things
that
are
very
idiosyncratic.
And
so
it
takes
Someone
either
kind
of
really
knowing
me
or
coming
from
Basildon
...
For,
for
that
to
sit
well
with.
I
mean,
it,
it,
I
mean,
it
did
Work
with
Ian.
So
when
we
do
it
live,
and,
and
I've
just
Kind
of
really
started
i-
introducing
it
on
the
latter
Dates
that
we've
done,
Sean
and
I
sing
it
together,
and
Sean
is
my
dream
singing
partner
on
that.
Uh,
uh,
but
The
trouble
is
with
Sean,
he
gets
very
stubborn
sometimes
I,
I
have
nothing
but
great
respect
for
him,
but
he,
he
is
like
You
know,
once
he's,
once
he's
decided,
he's
decided.
And
he-
It
was
just,
it
was
one
of
those
things
Where
I
just,
I
had
so
much
to
consider-
You
did,
yeah
...
Across
this
whole
record.
I
couldn't
hack
the
Responsibility
of,
of
singing
on
it
as
well.
It
was
Just,
it
was
one
step
too
far,
because
I
was
already-
Yeah,
no,
I
get
this.
I
have
ev-
I,
you
know,
I
I,
I
ha-
I...
We
should
have
chosen
otherwise
Mm-hmm
I,
I
don't
deny
that,
but
I've
never
told
you
otherwise
than
that
But
I,
I
do
empathize
with
you.
You
had
a,
an
awful
lot
of
Responsibility,
and
I
can
imagine
with
the
weight
of
all
Of
that,
and
then
still
having
to
feel
like
you,
you're
Gonna
have
to
take
judgment
on
how
you
sing
together.
But
I
mean,
Sean
does
have
a
beautiful
voice,
and
we
do
sing
really
Really
well
together,
and
we
will
do
it
as
a
duet
live
Yeah,
I'll
happily
do
it
on
the
tour-
Mm
...
'Cause
the
pressure's
off
No,
but
I
mean,
yeah,
I
mean,
it
was
a
lot,
it
was
a
lot.
I
do
Get
that.
I
do
get
that
it
was
a
lot
for
you
to,
you
know,
h-
Have
to
anticipate.
I
mean,
he's
already,
you
know,
having
to
Me-
y-
we
know
that
you're
always
gonna
deal
with
people
who
Are
outraged
that
you
have
redressed
their
babies,
you
know?
But,
um,
but
so,
you
know,
we,
we're
already
kind
of
like,
you
know
Prepared
for
that.
But,
uh,
then
I
guess
to
do
that,
and
then
to
have
To
get
compared
with
another
singer,
and
then
to
have
to
get
the
You
know,
the,
the
stuff
that
comes
with
anything
once
you
raise
your
Head
above
the
parapet.
Like
I
say,
I'm,
I'm
kind
of,
uh,
you
know
Old
and
ugly,
and
it's
like
I
can
kind
of
deal
with
it.
I
think
for
Anybody
fresh
to
that
table,
it's
It's,
it's
always
a
bit
unpleasant
I
mean,
conversely,
compared
to,
um,
"So
Am
I,"
This
one
I've
kept
an
awful
lot
of
what
Ian
did
Yes
I've
recreated
a
lot
of
his
parts
and
sounds,
and
the
place
I've
Concentrated
on
making
the
changes
are
really
in
the,
in
the
rhythm
Track.
The
two
things
that
are
different,
it's
got
a
very
overtly
Electronic
rhythm
track,
and
again,
Richard's
on
guitar
on
this
One.
So
he
gives
it
some
kind
of,
sort
of
rocky
heft,
if
you
like
Whereas
I've
got
this
very
tough,
overtly
synthetic
kind
of
kick
Drum,
snare,
and
bass
line
thing
happening.
Um,
but
the,
what's
Happening
above
that
isn't
too
dissimilar,
really,
from
what,
um-
Mm
...
was
on
the
original.
So
I
think
it's
a
nice
kind
of
Sort
of
cross-pollination
of
the
two
things,
really
Yeah
It
works
very
well
I
might
be
jumping
ahead
or
jumping
behind,
but
was
there
a
Particular
song
that
you
found
the
most
challenging
to
adapt?
The
ones
I
found
the
hardest
were
the
Ones
that
were
the
most
well-known
Mm
And
I
really,
really,
really
struggled
with
"Love
Resurrection."
Yeah,
no,
I,
I
really
like
what
you've
done
with
that
I'm
still
not-
And
so
I
was
kind
of
quite
surprised
at
the
end
that
You're
still
a
little
bit
reticent
over
that
one.
Was-
Yeah,
I'm
still
not
sure
about
it,
really
Oh,
you
know
what?
Oh,
I
like
it
Oh,
well,
we'll
come
to
that
bit
in
a
second
1 Introduction and Where Hides Sleep
2 Where Hides Sleep
3 All Cried Out
4 All Cried Out
5 Such Small Ale
6 Such Small Ale
7 All Signs of Life
8 All Signs of Life
9 Can't Say It Like I Mean It
10 Can't Say It Like I Mean It
11 Fire
12 Fire
13 Album Artwork and Filigree
14 Filigree
15 The Impervious Me
16 The Impervious Me
17 More
18 More
19 Is This Love?
20 Is This Love?
21 Tongue Tied
22 Tongue Tied
23 My Right A.R.M.
24 My Right A.R.M.
25 Cohesion, Album Tracklist and so Am I
26 So Am I
27 My Best Day
28 My Best Day
29 World Without End
30 World Without End
31 This House
32 This House
33 Love Resurrection and Touring
34 Love Resurrection
35 You Don't Have to Go and Album Highlights
36 You Don't Have to Go
Внимание! Не стесняйтесь оставлять отзывы.