Album lyrics Sinfini Music: Best Choral by Harry Christophers, The Sixteen, Choir of King's College, Cambridge, Choir of New College, Oxford, Edward Higginbottom, Paul McCreesh, Gabrieli Consort, John Eliot Gardiner, Monteverdi Choir, Stephen Cleobury, English Baroque Soloists, Andrew Wright, Benjamin Britten, Berliner Philharmoniker, Bournemouth Symphony Orchestra, Charles Dutoit, Choir of Winchester Cathedral, David Hill, Felicity Lott, Gabrieli Players, London Philharmonic Orchestra, London Symphony Chorus, London Symphony Orchestra, Peter Harvey, Riccardo Chailly, Sir David Willcocks, The English Concert, The English Concert Choir, Timothy Byram-Wigfield, Trevor Pinnock, Waynflete Singers, Westminster Cathedral Boys Choir, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Ann Murray, Anna Larsson, Anne Schwanewilms, Annick Massis, Anthony Rolfe Johnson, Ashley Stafford, Bach Choir, Ben Heppner, Berliner Motettenchor, Boston Symphony Orchestra, Cambridge University Music Society, Carolyn Watkinson, Catherine Wyn Roger

Sinfini Music: Best Choral

Harry Christophers, The Sixteen, Choir of King's College, Cambridge, Choir of New College, Oxford, Edward Higginbottom, Paul McCreesh, Gabrieli Consort, John Eliot Gardiner, Monteverdi Choir, Stephen Cleobury, English Baroque Soloists, Andrew Wright, Benjamin Britten, Berliner Philharmoniker, Bournemouth Symphony Orchestra, Charles Dutoit, Choir of Winchester Cathedral, David Hill, Felicity Lott, Gabrieli Players, London Philharmonic Orchestra, London Symphony Chorus, London Symphony Orchestra, Peter Harvey, Riccardo Chailly, Sir David Willcocks, The English Concert, The English Concert Choir, Timothy Byram-Wigfield, Trevor Pinnock, Waynflete Singers, Westminster Cathedral Boys Choir, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Ann Murray, Anna Larsson, Anne Schwanewilms, Annick Massis, Anthony Rolfe Johnson, Ashley Stafford, Bach Choir, Ben Heppner, Berliner Motettenchor, Boston Symphony Orchestra, Cambridge University Music Society, Carolyn Watkinson, Catherine Wyn Roger

2014 32 songs

1. Crucifixus (8vv)

2. Requiem, Op. 48: 1. Introitus. Requiem aeternam - Kyrie

3. The Lamb

4. Eight Part-songs, Op. 119: The Bluebird

5. Quatre motets, Op. 10: Ubi caritas et amor

6. O sacrum convivium!

7. O Magnum Mysterium

8. Lux Aurumque

9. The Dream of Gerontius, Op. 38 / Pt. 1: "Jesu, Maria, I Am Near To Death"

10. Serenade To Music

11. St. Matthew Passion, BWV 244, Pt. 1: No. 1 Chorus I/II "Kommt, ihr Töchter, helft mir klagen"

12. Die Schöpfung Hob. XXI:2. Pt. 1: 2.Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte auf der Fläche der Wasser" (Raphael, Uriel)

13. Ein deutsches Requiem, Op. 45: 1. Chor: "Selig sind, die da Leid tragen"

14. Elijah, Op. 70, Pt. 1: Yet Doth the Lord See It Not - Elijah! Get Thee Hence - Remastered 2024

15. War Requiem, Op. 66: "Requiem Aeternam"

16. Gloria: I. Gloria in excelsis Deo

17. Gurre-Lieder, Pt. 3: 22. Mixed Chorus. Seht die Sonne

18. Missa Papae Marcelli: Kyrie

19. Salve Regina

20. Vespro della Beata Vergine: Nisi Dominus a 10

21. Cantate Domino

22. Miserere

23. Messiah, HWV 56, Pt. 1: "For Unto Us Child Is Born"

24. Mass in B Minor, BWV 232 / Kyrie: Kyrie eleison (I)

25. Gloria in D, R.589: Allegro: Gloria in excelsis

26. Ave verum corpus, K. 618

27. Ave Maria

28. Locus Iste, WAB 23

29. Geistliches Lied, Op. 30 (Lass dich nur nichts)

30. Ave Maris Stella

31. Carmina Burana / Fortuna Imperatrix Mundi: 1. O Fortuna

32. A Hymn to the Virgin