Текст песни A Couple Things Different and None of This Would Be Here (Commentary) - Vince Gill
My
own
career...
Had,
um,
a
couple
of
things
gone
just
slightly
different
None
of
this
maybe
here,
you
know
(What
was
that?)
Um
Let's
see,
well,
back
when
I
was,
I
was
leavin'-
I'd
left
RCA-
I
went
to
Joe
and,
and
We
were
such
great
friends,
Joe
Galante
was
the
president
of
RCA
and
And
we
tried
for
six
or
seven
years,
I
just
went
to
him,
I
said,
"Man
Would
you
just
let
me
out?"
I
said,
"It's
not
working,
you're
frustrated,
I'm
frustrated
And
let's
just
go,
let's
go
try
something
else
and
Let
me,
let
me,
let
me
go",
and
he
begrudgingly
did
He
said,
"I
don't
want
to",
he
said,
"But
I
will,
I
believe
in
you"
and
he
always
did
And
so
then
I
went-
I
didn't
go
shop
much
I
had
two
people
that
were
interested
in
what
I
did
One
was
Warner
Brothers,
a
guy
named
Nick
Hunter
who's
no
longer
here
And
he
liked
me
'cause
I
was
a
good
softball
player,
hahaha
And
I
played
on
his
Warner
Brothers'
softball
team
And
was
a
great
outfielder
with
a
good
arm
who
could
hit
it
and
take
it
out,
you
know
and
And
so
he
was
crazy
about
me
and
he's,
"Man,
I,
I'd
sign
you
over
here
in
a
heartbeat.
I'd
love
to
work
with
you"
and
And,
but
he
was
the
only
one
at
Warner
Brothers
at
the
time
that
was
interested
I
went
ahead
and
had
a
meeting
with
the
head
of
the
company,
he
goes,
"Ahh
I
just
don't
hear
it,
I
hear
all
this
stuff
about
you
and
And
you
know,
you're
this
and
you're
that
but
I,
I
just
don't
hear
it
and
I
don't
know,
and
in
our
staff,
they're
not
that
That
pumped
up
about
it",
he
said,
"I'd
sign
you
because
Nick
wants
to"
But,
but
I,
you
know,
I
didn't
like
hearing
that
So
I
said,
"Well,
this
is
not
gonna,
this
ain't
gonna,
haha,
this
ain't
gonna
be
where
Where
I
land
and
then
Tony
Uh,
who
signed
me
to
RCA
along
with
Joe
in
'83,
was
at
MCA
And
he's
in-in-
and
I
went
to
see
him
and
he
goes,
"Yeah,
of
course,
I'd,
I'd
love
to
have
you",
so
That
made
the
most
sense
and
he
was
gonna
produce
my
record
and
Ah,
we
were
all
set
for
To
start
on
a
Monday
with
"When
I
Call
Your
Name",
that's
all
that
had
been
written
Um,
players
booked,
studio
booked,
everything,
we're
gonna
start
that
record
And
around
that
same
time,
I
had
turned
I
think,
I
had
turned
down
the
Dire
Straits
gig
I
got
offer
to
Dire
Straits
gig
to
play
in
that
band
with
Mark
And
I
just
said,
"Man,
I
think,
I'm
gonna
get
a
new
shot"
And
I
said,
"I
gotta,
I
gotta
believe
in
myself,
I
can't
bail"
Said,
"If
I
quit
now,
I
may
never
go
back
to
country
music
and
And
I
just,
if
I
quit
on
me
then,
you
know
Who
else
is
gonna
believe
in
me",
you
know,
so
I
turned
that
down
And
then
the
Friday,
before
I'm
starting
this
record
with
Tony
He
called
me,
he
said,
"Man,
I
can't
believe
I
can't
believe
I'm
calling
you
but
I
might
leave
the
company"
I
said,
"What
do
you
mean?",
he
said,
"Well
I
just
found
out
that
Jimmy
Bowen's
coming
back
to
run
the
label"
And
Bowen
didn't
like
me
And
he
told
Tony,
he
says,
"The
first
thing
I'm
gonna
do
When
I
come
back
is,
I'm
dropping
Vince
Gill
That's
the
stupidest
signing
you
could
have
ever
made"
and
Blah,
blah,
blah,
blah,
blah
So
Tony
says,
"If
he
comes
back,
I'm
not
staying"
And
he
said,
"I
can't
leave
you
twice",
you
know
So
he
goes
to,
he
went
to
New
York
and
played
hard
ball,
said,
"Look
You
choose
him
or
you
choose
me",
you
know
And
they
said,
"Okay,
we'll
roll
with
you,
we'll
go
with
you,
we
won't
bring
Bowen
back"
'Cause
I
knew
that
Bowen
would-
the
first
thing
he
was
gonna
do
was
run
me
off,
so
If
that
would
have
happened
I'd
have
never
recorded
"When
I
Call
You
Name",
I'd
have
never
been
on
MCA
records
On
and
on
and
on
So,
just
like-
you
never
know
1 Vince Gill's Earliest Recording (Commentary)
2 Getting Better At Guitar All the Time (Commentary)
3 Inspiring Musicians – The Teenage Years (Commentary)
4 Diversity of Musical Tastes (Commentary)
5 Recording With Alice Cooper (Commentary)
6 Fear and Insecurity - Even From My Heroes (Commentary)
7 Recording With Sting (Commentary)
8 Playing Guitar For Brian Wilson (Commentary)
9 Starting Out With Bluegrass Alliance: A Musicians Heart (Commentary)
10 1970's, Vince Goes To LA (Commentary)
11 First Gig In LA – Emmylou Harris, Rodney Crowell, Dolly and More (Commentary)
12 Nashville (Commentary)
13 Pure Prairie League (Commentary)
14 What I Do Best (Commentary)
15 The Hanging Curve Ball: When I Call Your Name (Commentary)
16 Emmylou, the Angel Band, a Jingle and 15 Years Later (Commentary)
17 Best Advice I Ever Got (Commentary)
18 Singing On New Artist First Records – Trisha Yearwood, Patty Loveless (Commentary)
19 Working With Gladys Knight and Barbra Streisand (Commentary)
20 Eric Clapton Records a Vince Gill Song (Commentary)
21 The Grammys: Collaborations (Commentary)
22 Earl Scruggs (Commentary)
23 All In My Ears, Beegie Adair (Commentary)
24 Admiration of Charlie Worsham and Ashley Monroe (Commentary)
25 A Couple Things Different and None of This Would Be Here (Commentary)
26 I Love Seeing Country Music Be Great (Commentary)
27 Vince and Rodney Crowell's Long Friendship (Commentary)
28 The Monkees Wish They Would Have Hired Vince Gill (Commentary)
29 The Results Do Not Equal Success (Commentary)
30 Vince On Go Rest High On That Mountain (Commentary)
31 George Jones' Funeral (Commentary)
32 Vince On Young Man's Town (Commentary)
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